Publishers Weekly's Book Life Reviews Leo Daughtry's Talmadge Farm
Daughtry debuts with an expansive panorama of the 1950s and ‘60s American South, when tobacco ruled the land and desegregation was in its infancy. Gordon Talmadge, wealthy inheritor of his family’s Talmadge Farm, makes his money off the backs of others—including the two sharecroppers on his land, Will Craddock and Louis Sanders. But tobacco’s star is waning, and Gordon, reluctant to diversify in any way, is entrenched in the past, putting his fortune—and family-owned bank—at risk. When his intoxicated son, Junior, tries to rape Louis’s 15-year-old daughter Ella, it sends shockwaves that change their lives and Talmadge Farm forever.
Daughtry expertly contrasts the experiences of Gordon’s privileged family with that of his sharecroppers, particularly the grim realities that the Sanders endured as a Black family in the midcentury South. Both Will and Louis are up against impossible odds as they try to provide for their families, and when Louis’s son, Jake, is blamed for harming Junior when defending his sister, he’s forced to flee their small town for Philadelphia, desperate to make ends meet so he can study medicine. Meanwhile, Gordon’s tobacco crops can’t keep pace with his spending habits, and he rashly decides to bring on a crew of migrant workers from another state—a choice that results in disaster.
Gordon—and society’s—treatment of the sharecroppers is painful to read, but Daughtry capably evokes harsh historical truths of the era, particularly the generational abuse that wealthy landowners inflicted on the descendents of enslaved peoples. The reverberations of that shake through the Sanders’s family as the story builds to some dark consequences, though some of the most reliable women, Ella and Mary Grace, overcome obstacles as they strive toward happiness. Gordon eventually faces some justice, though he never truly makes amends for his harmful behaviors. Change, of course, comes in the end, but the cost for all involved is steep.
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One of humankind's oldest questions is, are we the only sentient beings in the Universe? Recent discoveries of exoplanets—worlds that may support life in other solar systems—have refueled the debate; but are we sure that we are the only sentient species on our home planet? If we knew for sure that dolphins have language and regularly exchange information would it not forever change our view of animals, in particular our fellow mammals? All those with an enquiring mind will enjoy reading this accessible and enjoyable account concerning recent groundbreaking research conducted by Jack Kassewitz and John Stuart Reid. As this booklet shows, humankind has taken a giant leap forward in answering this important question.
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Conversations with Dolphins is a unique true story that takes the reader into the fascinating world of acoustic-physics researcher John Stuart Reid, a leading authority on cymatics, the science of visible sound. Reid takes us on a stimulating journey in which we follow the very thoughts that led him to develop the CymaScope instrument and to image the sonic pictures that he and Floridian dolphin researcher, Jack Kassewitz, believe constitutes our first glimpse of the dolphin sono-visual language. Kassewitz and Reid have begun to explore the extent of the dolphin language and to answer the question, can dolphins create bio-sonar pictures from their imagination, without relying on imaging objects? Their important research could quite literally lead to humankind being able to hold conversations with dolphins.
Quotes from Conversations with Dolphins
“What if the dolphin sounds are not words to be listened to but pictures to be seen?”
--Jack Kassewitz, CEO of SpeakDolphin.com
“After many failed attempts, suddenly, there it was—the flowerpot—rather fuzzy but distinct enough to make out its shape. I could even faintly see the hand that had held the pot in the water. I rushed into the adjacent office to share my excitement with my wife.”--John Stuart Reid, Director of Sonic Age Ltd
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Guest Post: Why I Wrote This Book by Jerry Amernic, Author of The Last Witness
The year is 2039, and Jack Fisher is the last living survivor of the Holocaust. Set in a world that is abysmally complacent about events of the last century, Jack is a 100-year-old man whose worst memories took place before he was 5. His story hearkens back to the Jewish ghetto of his birth and to Auschwitz where, as a little boy, he had to fend for himself to survive after losing his family. Jack becomes the central figure in a missing-person investigation when his granddaughter suddenly disappears. While assisting police, he finds himself in danger and must reach into the darkest corners of his memory to come out alive.
What inspired this book?
Guest post by Jerry Amernic
The Last Witness is a novel that has been germinating in my mind for a long time. It’s about the last living survivor of the Holocaust in the year 2039, with a protagonist who is 100 years old and still in possession of his faculties. But the near-future world I devise here is abysmally ignorant and even more complacent about events of the past century. Let’s make it clear right off the bat; this is not sci-fi – not even close, I don’t write sci-fi – but rather a commentary on what is already happening in the world today, albeit in the guise of a thriller that packs a lot of history between the covers.
My central character, Jack Fisher, is a man whose worst memories took place before he was 5. After the sudden disappearance of his granddaughter, actually his great-granddaughter who is a schoolteacher, he becomes the central figure in a missing-person investigation that winds up involving two countries – the United States and Canada. A sympathetic NYPD detective takes on the case and, in the process, befriends him. While all this is going on, there is a mysterious string of murders of old people taking place around the world.
It isn’t long before Jack finds himself in danger and must reach into the darkest corners of his memory to come out alive. Indeed, some of those memories have been repressed through years, decades, of torment and suffering.
Jack’s story hearkens back to the Jewish ghetto of his birth as a hidden child, and then to the death camp at Auschwitz where he had to fend for himself after losing his family. These are all captured as flashbacks in my novel.
While there have been many books about the Holocaust, including works of fiction, I don’t believe anyone has taken a futuristic slant quite like this. But the seeds for despair about the level of knowledge out there are all around us right now.
In researching this book, I met with real-life child survivors, including some who were liberated by the Red Army in 1945; one of these survivors was as young as three and his memories are very sketchy, but the others were older at war’s end, and the things they remember are etched in stone. I had former child survivors tell me that after coming to North America they were put into classrooms and told by their teachers not to talk about their experiences. One woman who now goes into schools doing talks about the Holocaust had a particularly gut-wrenching story; she was visiting a school only to have a number of Muslim students turn their backs on her when she spoke; they had been told at home that the Holocaust never happened.
I also met with eminent British historian Sir Martin Gilbert who has written extensively about the Holocaust and who is the official biographer of Winston Churchill; one of his suggestions really piqued my imagination and found its way into my novel.
So why did I write The Last Witness? Well, I have been seized by the idea that one day in the not-too-distant future, there will be one last remaining survivor of the Holocaust. If this individual was a child survivor who had been born in 1939, in the year 2039 he would be 100 years old. And that is my Jack. What will the world be like in 2039?
Aye, there’s the rub, as the Bard would say.
Consider this. A Gallup Poll done just a few years ago found that knowledge of the Holocaust was pathetically feeble in the United States. For example, only 46 per cent of Americans polled could say how many Jews were killed, and only 44 per cent could properly identify Auschwitz, Dachau and Treblinka as Nazi death camps. It is a sad commentary when less than half of Americans can answer these questions. In another poll some 70 per cent of Americans said they knew what the Holocaust was, but the sorry flipside of that is that 30 per cent apparently had no idea.
Yet another poll, this in the United Kingdom, found that 28 per cent of people aged 18 to 29 claimed to not know if the Holocaust ever happened at all. Then there was the survey done five years ago in Israel which said that 40 per cent of Israeli Arabs do not believe the Holocaust took place.
In my own country, Canada, knowledge is also on the wane, especially in the province of Quebec. Where I live in Ontario, the school system is such that any young person can graduate from a public high school with but a single credit in history during that whole time, and it doesn’t even have to be North American or European history.
This means we have spawned an entire generation that is abysmally ignorant of history, and the future does not hold good prospects.
The McCormick Tribune Freedom Museum in Chicago was America’s first museum dedicated to the freedoms guaranteed by the First Amendment. It opened in 2006, but closed its doors only three years later and took its displays on the road. In 2008 the museum did a survey. Are you ready for this? Close your eyes. According to the study, while more than half of Americans could name at least two members of TV’s fictional cartoon family The Simpsons (22 per cent could name all five of them), only one in four Americans could identify more than one of the five freedoms guaranteed by the First Amendment.
So consider The Last Witness not so much a commentary on what the near future will look like, but a warning about profound ignorance and complacency just a quarter-century down the road. For what it’s worth, the very first person to post a review on Amazon said she read the entire book through the night, that she could feel the pain of the memories of the witness, and even cried during some parts. If there is one thing an author wants from a reader, it’s an emotional gut reaction.
Stay tuned for my next historical thriller. Qumran. That is the place in the Holy Land where the Dead Sea Scrolls were discovered back in 1947. But the discovery in this story has the potential to make that one pale by comparison.
Jerry Amernic is a Toronto author of fiction and non-fiction books. In doing his research for The Last Witness, he interviewed such people as noted Holocaust historian Sir Martin Gilbert, and met with real-life survivors who were children when they were liberated in 1945.
Reposted from Quiet Fury Books Blog
Celtic Lady Interviews Story Merchant Author Leo Daughtry
“Talmadge Farm” is a sweeping drama that follows three unforgettable families navigating the changing culture of North Carolina at a pivotal moment in history. A love letter to the American South, the novel is a story of resilience, hope, and family – both lost and found.
What inspired you to write “Talmadge Farm?”
I lived through changing times, particularly the 1950s when there was nearly complete segregation in the South, especially in rural areas. Sharecropping was common, and women did not divorce in those times because it was considered demeaning, a failure. Then in the 1960s, everything began to change. Sharecropping disappeared, birth control entered the picture, and women could live life with more freedom and less dependence on men.
Can you tell us more about your family history and its connection to North Carolina and tobacco?
How did this environment influence your writing?
Beyond the direct associations with tobacco and North Carolina, are there more subtle aspects of your upbringing and family history that influenced your writing?
Tobacco was king in North Carolina. People practically worshiped it. Where I grew up, it put food on the table. Cotton was more up and down, but tobacco provided financial stability, not just for farmers but for the whole community. My family grew tobacco, sold fertilizer and seed, and managed a tobacco auction. It was our whole world.
You have had a successful career as a lawyer and an Air Force Captain before that. What prompted you to pursue writing fiction?
I always had the idea for this particular story in my head. The 1950s and 1960s were two decades that changed the world, and a farm with sharecroppers is a bit of a pressure cooker environment. You have the farmowner’s family – in many cases people of wealth and entitlement – living just down the driveway from the sharecropping families. The sharecroppers were poor and had limited options, so they felt stuck living on a farm that didn’t belong to them doing backbreaking work with no way out. It’s a situation that lends itself to drama: families with major differences in class/race/socioeconomic status living in such close proximity to one another.
How has the landscape of tobacco farming changed, and how did you incorporate those changes into the plot of “Talmadge Farm?”
Probably the biggest change was the shift from sharecropping to migrant workers. Today, tobacco farmers are large corporations that use migrant workers as laborers. But in the 1950s, farming relied almost completely on sharecropping, which was a hard life. Tobacco farming is physically demanding work, and sharecroppers needed the help of all family members to complete the various steps – planting, seeding, suckering, priming, worming, and cropping – of harvesting the crop.
Sharecroppers at one farm would help sharecroppers at the neighboring farm because they did not have the resources to hire extra people. In the 1950s, sharecroppers were unable to get credit anywhere but at the general store and maybe the feed store. They truly lived hand to mouth all the time, only able to pay their debts after the tobacco auction in the fall. Hence the phrase “sold my soul to the company store.” Sharecroppers often turned to moonshining as a way to make extra money.
As I describe in the novel, sharecropping began to disappear in the 1960s as children of sharecroppers started taking advantage of new opportunities that the changing society offered. Migrant workers took over the labor of farming. In addition to labor changes, new machinery improved the industry. N.C. State was instrumental in developing advances in the farming world. Legislation changed and farmers were allowed to have acreage allotments outside of the land they owned. I touch on all of these changes in the novel.
Are any of the characters in your book based on real people?
Not really. The closest characters to real people in my life are the characters of Jake and Bobby Lee. Jake is a Black teenager who wants to escape farm life and ends up running away to Philadelphia to become a success. Bobby Lee is a young Black soldier stationed at Fort Bragg. On the farm where I grew up, there was a Black sharecropping family with four sons, the youngest of whom was my age. We were very good friends.
All of the boys were bright and athletic, could fix anything, yet were limited in their opportunities. They didn’t have a school to go to or a job to look forward to. Their only options were to stay on the farm or join the army. The character of Gordon, while not based on any one person, reminds me of a lot of men I knew who did not treat women well, who were racist, who enjoyed the status quo and were resistant to anything that threatened their way of life.
In addition to the changing tobacco farming methodologies, the 1950s ushered in a period of profound social change, marked notably by the introduction of credit cards. How did these outside factors impact farming, and in what ways did they inform the development of the plot in “Talmadge Farm?”
In the novel, Gordon is the president of the local bank, yet he resists the advances in the banking industry, including credit cards and car loans and the incursion of national banks into rural communities. Gordon’s father, who founded the bank, was a brilliant man adept at navigating the bank through changing times, but Gordon simply doesn’t have the smarts to see what’s coming, and no one can get through to him. He’d rather play a round of golf than look at the balance sheet.
Leo Daughtry is a life-long resident of North Carolina. He grew up among the tobacco fields of Sampson County which served as inspiration for his debut novel, “Talmadge Farm.” After graduating from Wake Forest University and its School of Law, he established a private law practice in Smithfield, N.C.
He was a member of the N.C. House and Senate for 28 years, including serving as House Majority Leader and House Minority Leader. When not practicing law, Leo enjoys spending time in Atlantic Beach with his wife and daughters.
Praise for “Talmadge Farm”
“Set in North Carolina in the 1950s and 60s, Leo Daughtry’s story gives readers a cast of flawed characters that elicit sympathy, anger, love and hate.
The Talmadges, landed gentry, and their two sharecropper families try to adjust to the changing political, economic and social landscape of the decade.
Gordon Talmadge commits one mistake after another, ultimately destroying the legacy handed to him, as his loyal wife Claire stands by his side while the sharecropper families – one black, one white – are ultimately driven off the farm for better and for worse. A page turner.”
— George Kolber, author of Thrown Upon the World, and writer/producer of Miranda’s Victim
“In this stirring novel, Leo Daughtry creates a big, complicated portrait of family, place, race, class, and greed. Set in North Carolina, Talmadge Farm tells the story of three intertwined families. Daughtry delves deep into the heart of his characters. You’ll almost forget that you don’t know them personally; this story feels that real.”
— Judy Goldman, author of Child: A Memoir and Together: A Memoir of a Marriage and a Medical Mishap
“Talmadge Farm is a classic. Through the lives of a farm owner’s family and their sharecropping tenants, Leo Daughtry weaves a story about the emerging South. This is a story of triumph and tragedy, of good and evil, and finally reconciliation. A true morality play.”
— Gene Hoots, former tobacco executive and author of Going Down Tobacco Road
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In the high-stakes world of classical music, Alexandra von Triessen, a gifted but insecure pianist, navigates the cutthroat International Ketterling Piano Competition. Dazzled by the charming Sebastian D'Antonio, she finds herself drawn into a web of intrigue surrounding his enigmatic and estranged brother, Conrad. Just as Alexandra's star begins to rise, a shocking discovery sends her world crashing down, exposing secrets and lies that threaten to destroy everything she's worked for.
Descending Thirds is a gripping story of ambition, betrayal, and the blurred lines between artistry and integrity. This page-turner explores the sacrifices we make in pursuit of our dreams and the devastating consequences of hidden truths. With two shocking twists that will leave you reeling, this unforgettable novel will resonate with anyone who has ever dared to reach for greatness.
From Page to Screen: The Cloud Hits Hollywood | Robert Rivenbark Interview
Robert Rivenbark discusses his novel The Cloud, themes of AI and surveillance, and a Hollywood film adaptation.
In this video, host Jorah Kai sits down with Robert Rivenbark, author of the sci-fi thriller The Cloud, to talk about its journey from novel to screen.
Robert's debut novel The Cloud is not only an award-winning story but is also in development as a feature film. In this insightful interview, we cover: Inspiration behind The Cloud – How a big “what if?” and real-world tech trends sparked this thrilling story.
Creative writing process – Robert’s writing routine, from daily word counts to turning first drafts into polished prose. Hollywood adaptation journey: How The Cloud caught Hollywood’s attention and the role of legendary literary manager Ken Atchity in its film development.
Transmedia storytelling – Expanding the story universe beyond the book, and what it means to take a tale from page to screen (and beyond).
Modern writing landscape – Insights on being an author today, from working with a literary agent to navigating publishing in the digital age.
Whether you’re an aspiring writer, a passionate book lover, or a fan of film adaptations, this conversation is packed with tips, inspiration, and behind-the-scenes stories you won’t want to miss.
Via Jorah Kai, Existential Detective
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Stealing Time for Your Dream in 2025 - Part 4: Where Does the Time Go?
Where does the time go?
The nonproductive dreamer: "I don’t know where the time goes.
Once your Mind’s Eye takes over: "It doesn’t go anywhere; time’s in your face all the time! It’s knowing what to do with it that counts."
For me, keeping track of time started at Rockhurst High School in Kansas City, where the Jesuits taught us to schedule our activities in precise Accountant segments. A page from the daily list I kept for four years looked like a space-launch checklist. Every single ten-minute period all day was chockfull of activities, starting from the moment of awakening to the last minutes of making the next day’s list.
At the end of each daily agenda, which was written in pencil, was "tomorrow's to do list": At 10:50 P.M. I allowed myself eight minutes to work on the next day’s agenda. All day I’d been jotting down notes in pencil to remind me of things that had to be scheduled for the next day. During the eight minutes at the end of the day, I created the agenda for next day. All but one of the individual items on the daily agenda are items of "micro management" (defined as what to do on the Accountant's clock when—or “objectives”). The eight minutes at 10:50 P.M. are "macro-management" --considerably less than 1% of the time available to me.
Though it served me well as a foundation for future productivity, it’s immediately obvious that an adult living in our new millennium, in a life filled with interruptions and immediate demands, can’t live sanely for long with this excessively disciplined approach. But accurate description precedes effective prescription.
For accurate consciousness of time-usage to arise, you must take control one way or another. As years passed, I learned I had to move on from the severe but satisfying monastic time-management methods of my Jesuit agendas. I experimented with macro management techniques --what I call "the Gordian knot style of time management": Cut through the busyness by doing the important matters first, and letting everything else take care of itself.
The most familiar macro tool is the to-do list. It’s excellent for getting specific small objectives accomplished, but ultimately you’ll want to move on because using the to-do list to control your life ends up wasting too much time. Yes, you get the important little things done. But you can’t write, “become an internationally recognized architect” on your to-do list. The to-do list doesn’t motivate or inspire you because it doesn’t deal with goals and dreams, only with objectives. That’s why even the shortest to-do list often gets neglected, ignored, postponed, constantly "carried over" from one day to the next. There’s a rebellion going on inside you. Accomplishing the list may satisfy your Accountant, but your Visionary is longing for more and feeling cheated.
I’ve developed two forms that can help you inventory your actual expenditure of time so that you can take charge of this most precious asset and attach it firmly to your dream plan.
The Time Inventory Daily Work Sheet should be filled out at the end of each day, estimating the number of hours you spend on the various activities in your life. The example that follows belongs to an imaginary dreamer who wants to move from his day job as a bank teller to selling the nonfiction book he’s writing.
When you’re filling out your own work sheet, don’t forget housework, church and/or volunteer activities, phone time, etc. If the categories here don’t sound right to you, alter them to suit your own life and activities. Don’t add up the totals beneath or to the right until the week is over. But at the end of the week, add them up. Our bank teller came up with 201 hours. Ninety percent of my career management students and clients end up with weekly audits far under or considerably over 168.
What’s magical about the number 168? The accountant is right about this one: 168 is exactly how many hours are in the week for all of us--whether you’re the Pope, a figure skater, the President of the United States, a stock broker, a major league baseball player, a bank teller, or a hairdresser.
The discrepancy between your count and 168 arises from your unawareness of the interaction among the three voices within your mind, the Accountant, the Visionary, and the Mind’s Eye. In his first week of keeping track, notice that our future published writer has recorded activities to fill 201 hours in the week. Where did the extra thirty-three hours come from? Now that he's admitted the discrepancy and recognized its magnitude, he's ready to get serious. Obviously he's more careful using the work sheet the second week, making sure he keeps closer tabs on where the time is going.
Once you’ve used these work sheets for two weeks, you have an accurate enough idea of where your time is going to make use of the Actual Time Inventory Analysis Work Sheet. Fill out the Activity and Hours per Week columns using the results of your second Time Inventory Daily Work Sheet.
Next we want to find out, on a scale of 1 to 5 (5 being highest), how much each activity serves your goals. This is its Visionary Quotient. And we’re not going to fool with "Sleeping" because the right amount of sleep is essential on all fronts.
There’s nothing magical about filling out the Visionary Quotient column. Follow your gut reaction.
The Accountant's Quotient column rates the activity’s importance to your physical, financial, and psychological welfare. Taking writing classes, as far as our banker’s onboard Accountant’s gut reaction is concerned, has minimal present value. Your paycheck from the bank is keeping the potatoes on the table. Obviously, on the other hand, this teller's Visionary hates his day job. But notice that neither his Visionary nor his Accountant is thrilled with the twelve hours weekly this man spends on errands. Although some might rightly regard "socializing" as a valuable activity, our example obviously doesn’t. His Visionary hates it as much as he hates his day job, and his Accountant rates it only a 2. If he’s going to do anything about his socializing, he should think about socializing with different people (exchanging the coffee shop in his neighborhood for the one where the social interaction might lead to useful networking.
The third column, presided over by your Mind’s Eye, combines the two quotients. This man’s bank job is a pain in the neck to his Visionary, but it does pay the bills--an activity the Accountant values to the utmost. It receives a 0 in the Visionary Quotient column, a 5 in the Accountant Quotient column. But your Mind’s Eye acknowledges that any activity with a combined quotient of 5 or above will not be dropped or seriously reduced in time investment, thereby keeping both serpents happy.
The blank Actual Time Inventory Analysis Work Sheet below is for your reassessment. Fill in the categories to suit your own life.
As it recognizes the unique power of both his Accountant’s and his Visionary’s perception of time, our teller’s Mind’s Eye knows that the yin of Accountant time and the yang of Visionary time are both valid, simultaneous, and equally important in their places and for their purposes. Telling them both that they're correct, and that they can take turns, his Mind’s Eye negotiates with the Accountant to allow a conservative, cautious amount of time during which the "success dreams" of the Visionary can be explored. Without the Mind’s Eye’s intervention, he was constantly conflicted over his use of time. With his Mind’s Eye’s help and negotiation, he begins to steal time for success, using his Goal Time Work Sheet to carve hours from the twenty-four hour clock and to mine, methodically, the breakthrough energy of the Visionary.
Activities that rate less than a 5 in the M.E. column are
subject to first-round negotiation. Let’s say you hate doing yard work, and
give it a 0 Visionary Quotient and a 1 Accountant Quotient. Obviously, we’re
going to find a way to get that particular activity out of your life. In our
teller’s inventory, "Driving Errands" falls into this category. So he
figures out a way of no longer doing errands. Instead of spending twelve hours
a week on errands, he decides to do four hours of overtime at the bank to pay
for someone to do the shuttle service for him. Or he moves closer to his day
job. These revised decisions, which become "goals," are recorded in
the Goal Time Work Sheet. Notice that by reducing "Driving/Errands"
to two hours, and making a few other adjustments, he’s been able to increase
Sales Calls from thirteen to twenty-four hours per week--which will inevitably
advance his dream more quickly. At the same time, he’s managed to increase the
percentage of time devoted to the pursuit of his dream from 16% (combining
"Sales Calls," "Writing Classes," and "Reading")
to 26% because he’s increased the time available to make those sales calls, but
he’s also changed his way of socializing so that it serves the dream as well.
Time to schedule time
No time you spend is more important than the time you spend scheduling your time; and that needn’t be more than a tiny fraction of the time available to you. But scheduling your time is doomed to ineffectiveness unless you begin from the reality baseline of knowing what you’ve been doing with your time, and confronting your own lack of awareness about where your time has been going.
The blank Goal Time Work Sheet helps your Mind’s Eye complete and memorialize its contract with Accountant and Visionary.
Once your knowledge of your time usage has allowed you to make new goals and objectives regarding the use of time, how in this busy, busy, busy world do you enforce the objectives for yourself? How can you schedule a life that is one, long, endless shrieking, demanding interruption? After all, you can only turn off the phone for so long without losing your illusion of control, and all contact with reality.
Next: How to make the clock of life YOUR clock.
Southern Literary Review Book Review of Talmadge Farm
Talmadge Farm” by Leo Daughtry
In a sweeping story set in eastern North Carolina, Leo Daughtry takes readers from 1957 to 1970, a time of convulsive societal change in Talmadge Farm (Story Merchant 2024). As the Vietnam War intensifies, the civil rights movement spreads across the South, reaching even wealthy bank president and tobacco farmer, Gordon Talmadge. North Carolina’s Research Triangle has its birth, accelerating the industrial development of farms and the decline of tobacco. Another blow to the tobacco industry comes from the Surgeon General, who warns of health risks and mandates warnings on cigarette packs.
Buffeted by changes he resists, Gordon badly misplays his hand. Alternating between defiance and compliance, he treads a crooked path, using alcohol and denial to avoid the challenges he faces. While his wife Claire shows kindness to the farm’s two sharecroppers and their families, Gordon exhibits enough arrogance, disregard, and bigotry to earn readers’ distain.
With sensitivity and attention to detail, Daughtry tells the story of Gordon Talmadge, along with his family members. Interwoven are two other families, those of the sharecroppers who work the fields. Each family has its own demons and secrets. The sharecroppers live in poverty, toiling in ways that benefit the Talmadge family but not their own. One of the sharecroppers —the White one—bootlegs and drinks himself into trouble. The kindly Black sharecropper and his equally kind wife suffer from their inability to protect their three children from threats and influences beyond anyone’s control but that of Gordon and his near-clone of a son, Junior.
One of those sharecropper children, Jake, is forced to flee the farm:
He “squeezed himself into the bed of Mr. Allen’s truck. He was completely surrounded by baskets of summer crops: tomatoes, beans, okra, watermelon, peaches. He couldn’t help feeling as if he, too, had been plucked from the earth, uprooted from everything he’d ever known.”
The circumstance of Jake’s ultimate return is one of the poignant comeuppances of Gordon Talmadge, whose power and wealth turn out to be a house of cards. As Gordon struggles to keep from losing the farm, his bank flounders. In crisis, as he “pulled out of the employee lot, he noticed the workmen had finished installing the new bank sign. Waiting at the stop sign for traffic to clear, he watched them hurl the old lettering from Farmers and Merchants into the back of their truck, probably headed for the town dump.”
Gordon mellows into a character who is more insecure than imperious, and far more vulnerable than powerful. Forced to watch underlings succeed as he fails, Gordon emerges as the most transformed figure in this engaging saga.
Talmadge Farm serves as a timely cautionary tale about prejudice, greed, and resistance to change. It also serves as a reminder that human kindness can transform and resurrect lives going off the rails. It is a rebuke of privilege and a testament to Southern grit.

Leo Daughtry
Leo Daughtry is a first-time novelist who grew up in the tobacco fields of Sampson County, North Carolina. A graduate of Wake Forest University and its law school, he established a private practice and also served as a member of the North Carolina House and Senate for twenty-eight years. Still practicing law, Daughtry especially enjoys time at Atlantic Beach with his wife and daughters.
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The Great Midwest Book Festival Honor Nicole Conn's Novel Descending Thirds.
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Wake Forest Magazine Interviews Leo Daughtry
Harvesting Home
Double Deac Leo Daughtry draws on memories of his childhood tobacco farm to write a historical novel about the South.
Leo Daughtry (’62, JD ’65) drew inspiration and many of the characters for his historical novel “Talmadge Farm” from his years growing up on a tobacco farm in eastern North Carolina in the 1950s.
Daughtry, 84, grew up in rural Sampson County, about an hour southeast of Raleigh, on a farm owned by his father. He weaves a story of the wealthy Talmadge family and two sharecropper families — one white, one Black — whose lives intertwine against the backdrop of socioeconomic and racial changes sweeping the South that upend their lives in different ways. He draws from boyhood memories of dove hunting, moonshiners, segregation, the backbreaking work of harvesting tobacco and sharecroppers scraping to survive at a time when tobacco was king in North Carolina.
One reviewer described “Talmadge Farm” as a “stirring novel” with a “big, complicated portrait of family, place, race, class and greed.” The novel won first place in historical fiction in the 2025 Feathered Quill Book Awards and was named a finalist for the 2024 Goethe Book Awards for late historical fiction.
Daughtry and his wife, Helen, live in Smithfield, North Carolina. His granddaughters, Katherine Riley (’20) and Hannah Riley (’24), are also alumni.
Daughtry was a Judge Advocate General in the U.S. Air Force before founding law firm Daughtry, Woodard, Lawrence & Starling in Smithfield in 1969. He served in the North Carolina House and Senate for 28 years, and was House majority and minority leader, until retiring in 2017. A past member of the Alumni Council and School of Law Board of Visitors, he has endowed scholarships in the college and law school. The law school named its North Carolina Business Court courtroom in his honor in 2018. The North Carolina Bar Association established the N. Leo Daughtry Justice Fund in 2022.
Kerry M. King (’85) of Wake Forest Magazine talked with Daughtry by Zoom at his office in Smithfield. Excerpts from their conversation have been edited for length and clarity.
Kerry King: Before we talk about “Talmadge Farm,” I’m curious to know why you came to Wake Forest and what it was like when you were a student.
Leo Daughtry: My brother-in-law (Bill Peak ’48, MD ’51) went to Wake Forest, and I followed Wake Forest sports — Dickie Hemric (’55) and players like that. There was a tournament called the Dixie Classic (held in Raleigh from 1949 to 1960) where the Big Four (Wake Forest, Duke, NC State and UNC-Chapel Hill) would play four other schools, and we would go to at least one game to see Wake Forest play.
Wake Forest had recently moved to Winston. Dr. (Harold) Tribble (LL.D. ’48, P ’55) was president. We had chapel on Tuesdays and Thursdays. There was no dancing on campus. If we had parties, we’d have them off campus. For football games, we all wore suits. If you were lucky enough to have a date, you always got her a mum or flower to wear.
Wake Forest was great for me. It allowed me to leave the tobacco farm and go to college and experience life in a different way than I had known before. And Wake Forest was very patient with me. I tried to be a good student, but I just didn’t have the background. It took me a while to get my bearings.
The Vietnam War was really becoming an issue. I went into the Air Force (after graduating from law school) and served in Turkey, assigned to NATO.
KK: Do you remember any particular professors, either in college or in law school?
LD: Dr. (John) Broderick in English, Dr. (Emmett Willard) Hamrick (P ’83) in religion, Dr. (David) Smiley (P ’74) in history and Dr. (Kenneth) Raynor (1914) in math. Dr. (Marcel) Delgado got me through Spanish. I didn’t have Dr. (Ed) Wilson (’43, P ’91, ’93) for a class, but I certainly knew and liked him. He was one of the finest guys and represented Wake Forest so well. I’ve gotten to know his son (Ed Wilson Jr. JD ’93), who is a judge.
In law school, Dr. (James) Webster (’49, JD ’51, P ’81), Dr. (Hugh) Divine, Dr. (Robert) Lee (JD 1928, P ’55, ’68), Dr. (Norman) Wiggins (’50, JD ’52). They were all good teachers.
KK: You had a long career as a lawyer and in the General Assembly. What inspired you to write “Talmadge Farm”?
LD: It had been germinating a long time. I wrote it from an outline I did when I was in the General Assembly. We’d have some debates that I didn’t have to be involved in, so I had some free time. I knew the characters I wanted in the book. The reason I chose the name Talmadge is because I didn’t know anybody named Talmadge so I could make him the bad guy. (Gordon Talmadge, a banker and the owner of Talmadge farm, is the book’s central character.) I would write the outline and then change it, and then write it and change it. I knew where I wanted to start and where I wanted to end.
Leo Daughtry ('62, JD '65), author of "Talmadge Farm"
KK: What were the major themes you wanted to write about?
LD: Well, sharecropping for one thing, and the 1950s. My most impressionable years were the late ’50s and early ’60s because I was a teenager. I saw all the changes that were beginning to occur in the South. I went to a very small country school, where half of the students at least were children of sharecroppers. I had Black sharecropper friends and white sharecropper friends. They had one thing in common. They were poor as church mice, and they had very little hope of getting ahead. Most of the kids that I knew wanted to get off the farm. Farms had gotten bigger, tobacco allotments had changed, and migrant workers were replacing the sharecroppers. And automation enabled farmers to be more efficient, and that just eliminated the sharecroppers.
(I also wanted to write) about change, how people have to change, and some people can change better than others. Gordon could not figure out how to change. He got left behind because of his inability to accept change.
KK: How much of the book draws from your experiences and people you knew growing up?
LD: Almost all of it. Gordon was invented; I had to have a villain. Everybody knows someone like Gordon. He had everything going for him, but he wasn’t very smart (and wouldn’t adapt to the changing South). Black people lived in a completely segregated environment then. I wanted to make all the women really strong (characters) because there were no women doctors or lawyers then.
KK: Alumni are sure to enjoy the tidbits you sprinkle in the book about Wake Forest, Winston-Salem, Old Salem and R.J. Reynolds. The book ends soon after one of the characters, David, graduates from Wake Forest. Was he based on you?
LD: No, but I really wanted David (the good son in the novel) to go to Wake Forest. I didn’t want the bad son (to go to Wake Forest). (One of the other characters) went to Bowman Gray (School of Medicine). And, I remember Christmas at Old Salem and those Moravian cookies.