|Tree Peony by Alexis Rotella|
Dream symbols are there to be noticed, to be recorded and to be experienced again on a self-conscious level. Dreams can restore our power, especially if the raw material of dreams can be transferred to a tangible art form.
Excerpt from Kenneth Atchity (Dreamworks Magazine)
This honor recognizes her longstanding and prominent contributions to the writing, editing, and publishing of haiku and related genres of poetry.
LONDON — Digital books on tablets, smartphones, and devices like Amazon’s Kindle are certainly convenient, but according to a new survey most people still prefer a good old fashioned paper book. There’s just something satisfying about turning the page and holding a physical book in one’s hands, as over two-thirds of adults say they always opt for a real book over digital reading.Put together by Oxfam, researcher polled 2,000 respondents in the United Kingdom regarding their thoughts on paper books versus digital books. Close to half (46%) enjoy physically turning pages and 42 percent prefer the feel of a physical book in their hands. One in four say they love the smell of paper books. Meanwhile, another 32 percent feel like they become much more immersed in the story while reading a paper book and 16 percent go for traditional books because they remind them of libraries.
The look and feel of books is still special
Interestingly, over a third of respondents (35%) enjoy buying paper books because that allows them to proudly display them on their bookshelf as a background during Zoom meetings.
Over half the poll (58%) read to relax, while 46 percent usually read as a break from the real world. More than three in 10 like to read as a means of learning something new and 39 percent read to feel happier. Close to half (45%) have been reading more ever since COVID lockdowns began. Moving past the pandemic, 84 percent plan to take a few books with them on vacation this year.
Three-quarters say they’re considering donating books they’ve finished and 72 percent usually buy used books themselves. Moreover, this research suggests that books are the top item most adults are willing to buy used. Seventy-one percent say they buy used books because it is cheaper and 52 percent do it because it is better for the environment.
Nearly one in five (18%) just like the smell of used books, while another 18 percent like the texture of a second-hand book. Fifteen percent of respondents just love the idea that they might find a note or letter written inside a used book. Nearly one in two people (45%) like to ponder where their old books have been before landing in their hands. Generally speaking, 49 percent of adults often buy second-hand items, with goods such as books, clothes, CDs, DVDs, and cars topping the list. Six in 10 adults believe buying used items is just as good as buying new.
The survey was conducted by OnePoll.
|Gretchen Lanes: Self-Portrait, 1978-79.|
Often when I paint I am in a state of daydreaming. When I start a painting, I may have chosen the subject matter, but the content and context of the subject are yet to be revealed. One way this occurs is through rendering of detail. Concentrating on a small area, I lose over-all perspective. When I become "lost" in detail, my ego-consciousness wanes and I'm then able to tap into the symbols and information available in the dream realm. The ego dictates and manipulates waking reality. In the dream state, ego does not interfere; there is more freedom to encounter unknowns.
My painting is about that encounter. Because the paintings are born greatly from a dream state, as finished products they are seen as dream-like. The viewer is prone to interpret them as his own. Though my images are extremely personal, the "stuff" of dreams is universal. They become the dream property of the viewer.
Kenneth Atchity. Dreamworks 2:3: Spring 1982 (Dreamworks Magazine)
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He woke up in the middle of the night breaking a fever. There was a bright full moon.
"I got to pee bad, man, and I can't move my legs," he said. "I need help getting up.”
Bob didn't answer so he pushed himself up a little bit on an elbow and saw the ground where Bob had been sleeping and had crushed the kudzu, but Bob and his bedroll were gone. Del felt for his money stash and it was gone, too. At least he left one of the pints.
There wasn't nothing he could do but lie there until somebody came along to help. He held the pee as long as he could then wet the bed. It felt uncomfortable as it soaked his pants and ran up his back. He didn't think he could go back to sleep, but that wasn't the worst part. Something much more frightening was happening because time was messing up somehow and he was also back in his parents’ little shack they had rented in West Atlanta when he was nine years old.
"I was thinking about taking the boy to a ball game," his father said.
Del pretended he wasn't paying attention but he hoped his mother would say yes. She was the one who had a job, and she always watched every penny she made. That's what his parents always fought about.
"I guess we ought to do something for him," his mother said. She walked back to her bedroom, where she kept her money, and closed the door so nobody could hear her hiding place. When she came out she handed a couple folded dollar bills to his father, and some change, too.
"Why don't y'all get yourself a hot dog? That way I don't have to cook nothing for you tonight."
She went back to her room and laid down. She worked so much she was always tired. Some days she went to bed as soon as she got home from work.
After a while his father said, "Okay, boy, it's time to go to that ball game."
He followed his father up to the trolley stop, trying to keep up with his funny bobbing walk. They sat on a hard bench for a few minutes till the trolley came.
"Mr. Driver, I need a transfer for me and my boy." He said it like they always did things together.
The driver tore off two scraps of paper, and handed them to him, and then his father made a big to do about handing one to Del.
"Now you hold onto this, Son. It's what makes you able to ride the second trolley."
They both sat down.
"I like this sideways seat the best," his father explained.
"Me too, " Del agreed.
After a few minutes his father pulled the cord that rang the bell and said, "Time to get off."
They were at another bus stop and Del sat on a bench like the other one.
"Now you sit here, till I get back. No matter what happens, just stay there."
He crossed the street and went in a liquor store and when he came out Del could see a bottle stuck in his front pants pocket. When he sat next to Del he took it out, and held it to his lips and swallowed three or four times.
"Here. You want some?"
He handed it to Del who took a sip but thought it tasted sour, like puke. He pretended to like it, though.
"Here comes the bus." His father put the bottle back in his pants.
"They don't like you to drink this stuff on the bus," he father explained.
Once they got on it seemed like they were at a party.
"Anybody going to see the Crackers?" his father asked.
A bunch of people laughed like his father had told a joke.
"Seems like most of us are," a woman said.
"Have a seat, son."
He sat Del down in the sideways seat, then walked back four or five rows to where there was a bunch of men sitting. He said something, they laughed, and a couple of them looked up toward the driver, then the bottle came out and they were passing it around.
Del looked out the window and watched the people on the street until they stopped next to this big brick building with a tower on top like a castle.
"That's the Sears and Roebuck."
A woman sitting next to him said this when she saw him looking at the building.
"Everybody off the bus," his father said. The men with him laughed like this was pretty funny.
People were already starting to line up to buy tickets, so his father ran ahead and bought two seats in the white bleachers. They went up this ramp into the park and he followed his father and the other men under the wooden seats to a refreshment stand where a man was cooking hot dogs on a grill.
Dell asked, "You going to get us some hot dogs, daddy?"
"Don't have no money left," he said. "But wait a minute here. I got something in my pocket."
He reached in his pocket and pulled out his white handkerchief. He bent down on one knee, and laid it out like a neat square, then stepped back and started doing a little dance like a buck and wing and giving out these little yelps.
He was pretty good at it, but Del didn't like to watch.
Pretty soon a crowd had gathered and people were dropping nickels and dimes, even a few quarters on the handkerchief.
"Thank you very much, folks." his father said. He scooped up the money and handed Del a quarter.
"You keep this in case you need it. Don't spend it on food or nothing. Just hold onto it. Now go on up and get us our seats and I'll be along in a little while."
The men from the bus had gathered around his father again and Del knew he wanted to drink with them, so he went to get their seats in the bleachers. A boy his own age tried to sit down next to him, but he held his hand out over the seat and said, "My daddy's going to be sitting there," so the boy moved over a space.
Pretty soon the teams took to the field and everybody cheered. Del didn't know much that was going on but he acted like he did, so nobody would think he was stupid. He didn't know how to play ball. His parents moved around so he never really got to have many friends and the few boys he knew didn't have the equipment. Still, it was real beautiful to watch. The lights made the field seem bright green and the uniforms stuck out like a cartoon in the newspaper. Out in the distance there was this dirt bank covered with kudzu and a big magnolia tree and over to the right, a railroad track. It didn't look like how he'd imagined a ballpark, but he liked it.
He actually started figuring out the game, at least part of it, and he'd get excited with every pitch, and cheer with the crowd when the players from Birmingham would swing at a pitch and miss.
He was having fun until he figured out that his father wasn't coming to his seat, and then he only watched the game because he knew he ought to be having fun since he probably wasn't going to get to come back.
The Crackers won. As the crowd left, he didn't see his father and he knew he wasn't here. In his pocket, he felt the quarter and wondered if this was the time he was supposed to save the money for, or if there would be another one. Finally he decided this must be the time, because spending it was the only way he was going to get home.
"I'd like a transfer, Mr. Driver." he said
The man gave him a funny look, but handed him the transfer.
Del was pretty sure he could spot the street where he lived, but he wasn't too sure about the stop by the liquor store, so he sat in the sideways seat twisted around with his face pressed against the window. It turned out to be easy to see because of the lights, so he rang the bell and got off the trolley.
He was quiet going in the house. He was starving and got a piece of bread. He hoped his mother wouldn't notice and get mad.
"That you boy?” she called from the bedroom.
"Is your father with you?"
"No ma'am, he ain't."
"I should have known," she said. "He don't care nothing about you. He just wanted the money so he could get a drink."
"He won't be coming back neither," she said. "I told him the next time he took to drinking he couldn't come back, but sometimes that man needs a drink so bad he'd trade his whole life for it."
A Note From the Editor
There is, in every city of some size, "a street of appetites" — a place where people with hungers congregate, a street where things happen in dark places. In Atlanta, The Bitter Southerner’s hometown, that street has always been Ponce de Leon Avenue. Ponce, as we call it, is home to the legendary Clermont Lounge, where strippers whose average age is 46.5 shake their moneymakers, and the Majestic Diner, which has been serving hangover prevention and cures 24/7 since 1929. Ponce always begs to be the setting of a novel. Back in 1997, an Atlanta writer named Fred Willard delivered a great one. “Down on Ponce” was hard-boiled crime fiction, solidly in the tradition of Raymond Chandler and Jim Thompson. “Down on Ponce” permanently planted itself in my brain. I was 36 years old when it came out, and I’ve gone back to reread it several times. For a guy like me, who loves crime fiction written with verve and feistiness, “Down on Ponce” was just the ticket, particularly because I knew its setting like the back of my hand. But in the last decade or so, the literary world hasn't seen much of Fred Willard's work. Then a few weeks ago, out of the blue, Willard sent The Bitter Southerner a short story. This made me a happy guy — happier still because his story is set once again on Ponce, Atlanta's “street of appetites,” as Willard so aptly describes it here. You'll experience two Ponces in this story. One is the Ponce of the 1990s, when the kudzu-shrouded, long-unused railroad tracks that bisect the street were still the home of much nefarious activity. Today, those tracks are a pedestrian trail called the BeltLine. The other is the Ponce of the mid-20th century, when the Negro League Atlanta Black Crackers and the minor-league Atlanta Crackers shared Ponce de Leon Park, an old baseball field now long gone. Today, a Whole Foods sits about where center field was. A crime does occur in this story, and the writing is as blunt as the best crime fiction, but in “The Ghosts of Ponce de Leon Park,” Willard is now exploring different characters with different hungers — the homeless. We meet Bob and Del soon after they arrive in Atlanta, having come to the city after Del “just wore out my welcome too many places” in Nashville. Speaking of welcomes, we’re happy to welcome one of our favorites, Fred Willard, to the pages of The Bitter Southerner. — Chuck Reece
Repost from the Bitter Southerner