"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Authority Magazine Interviews Nicole Conn

Inspirational Women In Hollywood: How Filmmaker Nicole Conn Is Helping To Shake Up The Entertainment Industry

An Interview With Eden Gold


Write the book you want to read. Make the Movie you want to see.



Asa part of our series about Inspirational Women In Hollywood, I had the distinct pleasure of interviewing Nicole Conn.

Nicole Conn is a visionary filmmaker, novelist, and storyteller whose work has redefined LGBTQ+ cinema and resonated with audiences worldwide. Known for her emotionally charged narratives and groundbreaking projects, Conn’s career spans decades of critically acclaimed films, novels, and innovative media ventures.

She is also an accomplished author with eight novels to her name, including Passion’s Shadow and Angel Wings (Simon Schuster) She Walks In Beauty, as well as co-authoring The Preemie Parent’s NICU Survival Guide.


Thank you so much for doing this with us! Our readers would love to get to know you a bit better. Can you tell us the story of how you grew up?

I was born right outside the Indian Reservation at Mesa, Arizona. My Mother, who was a classical pianist, tells the story that the day she brought me home my father had purchased her a piano. She tossed me in the crib, dashed to the piano and played until I cried from hunger. I believe this is how my love for classical music became part of my DNA. My mother has moved 39 times in her lifetime, and I’ve got her beat. Lots of Life lived in my years on earth. I’m a total Auto-didact and have learned everything through the act of “doing it.” Much like my main character, Alexandra, I lead with my heart, use passion as my beacon. Gratitude is my Religion…I’ve been blessed beyond blessed.

Can you share a story with us about what brought you to this specific career path?

I was passionate about story telling from the time I was in 3rd grade. I would cut out all the heroes and heroines from comic book strips and I would create new speech bubbles for them so I could tell the story I wanted to see! From the very beginning I wrote pretty much daily…stories, dear diary diatribes and lots of agonized journal entries in my teens all the way until now!! I wrote my first novel after I quit drinking at 24. But I also had a love affair with B&W film from the time I was old enough to watch TV which indirectly led to my career as a filmmaker.

Can you tell us the most interesting story that happened to you since you began your career?

One of the most “Hollywood” things that ever happened to me was the first time I tried to get “Descending Thirds” published nearly 25 years ago. Suddenly, I’m thrust into a whirlwind of Hollywood excitement. Every major agency is clamoring for my book — ICM, CAA, William Morris — you name it. I sign with William Morris, feeling like I’ve hit the jackpot.

Then, one Friday night, I get this surreal call from my agent’s assistant, who’s at a NY industry party. She’s telling me that my manuscript is the talk of the town. I’m over the moon, thinking, “This is it. I’ve made it.” What follows is a masterclass in this industry of what I refer to as the “fast track to the slow no” and “hurry up and wait.” It’s a rollercoaster of high hopes and dashed expectations. You’re always on the verge of something big, but somehow it keeps slipping through your fingers.

In the end, I learned a profound lesson: in this business, timing is everything. Projects don’t come to fruition just because you want them to, or even because they’re good. They happen when the universe decides it’s ready for them. It’s a humbling experience that taught me patience and perseverance in equal measure.

It has been said that our mistakes can be our greatest teachers. Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?

Hmmm — not sure I have a funny mistake, but I have experienced happy mistakes along the way. The one that feels most powerful happened when I was super-tired editing my film “A Perfect Ending”. I was so exhausted that I accidentally used two separate shots on top of each other, one of which I literally slipped and reduced its opacity. The next morning, when I began work again, I realized that I was able to see two separate pieces of information — both equally interesting — which began my love-affair with double and triple dissolves. It’s become part of my “style” and another gift in my toolbox to help create the most visually compelling aspect of any scene I’m shooting and to consider ALL the variables. Yes, it ends up being more time consuming, but the payoff is well worth it.

None of us are able to achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that?

I have been extraordinarily blessed by the people that I have found along my journey, starting with Pamela S. Kuri. She produced my first film, “Claire of the Moon” and pretty much held my hand and taught me as we went along. She has been there for me my entire career. Along those same lines my ex-life and film partner, Marina Rice Bader created Soul Kiss Films so we could make “Elena Undone” & “A Perfect Ending” together. And when I went to make the first ever LGBTQ+ Dating Competition Show (ala The Bachelor) JoAnne Millar came in and Executive Produced and financed the entire first Season (16 1-hr Episodes). I truly love collaborating and because all my films are passion projects the folks who get involved are in for the love of the material. Finally, last but not least, are the fans who have helped crowd-source my last four projects and who watch my films over and over and over again…which is the absolute best pay-off I can think of.

You have been blessed with great success in a career path that can be challenging. Do you have any words of advice for others who may want to embark on this career path, but seem daunted by the prospect of failure?

Making any film — even my super small independent films — is truly one of the most challenging efforts you can undertake. These projects require 1000% involvement and commitment. The best advice I can give is to “go for it” and believe in yourself and your creative vision.

Take notes, advice, feedback, but know you are where the buck stops. You must always be asking yourself not what you like or what you want to do, but what is best for the project. It’s your vision. That’s both the challenge and the beauty of filmmaking.

Surround yourself with people you like and trust. This business is too intense for anything less. You’ll encounter many who don’t understand the creative process, so you must be able to share your vision while also protecting it.

Trust your gut! And never be afraid to ask for favors. There used to be an oft-repeated quote “you only get to ask for one favor.” Who says!?!!

Every industry iterates and seeks improvement. What changes would you like to see in the industry going forward?

The most critical component of what I do is finding the money. That’s the hardest, most grueling, soul-sucking endeavor. It’s hard to stay positive when you feel like you’re pimping yourself out. I wish there was a way for the industry to have more funding for the small personal film. If the powers that be stopped to think about it, instead of spending 50–100 million dollars making movies that are often destroyed by packaging and never see a return — they would realize there was a lot more money in funding a 500K film. But don’t get me started on value issues because I believe the people that should be getting actor’s and football player’s salaries are teachers and nurses.

You have such impressive work. What are some of the most interesting or exciting projects you are working on now? Where do you see yourself heading from here?

I’m thrilled about the upcoming release of “Descending Thirds” on March 15th, but that’s just the beginning. We’ve adapted it into a nine-part limited series, which I believe is the perfect format to fully immerse in this story. It’s Emmy-worthy material across the board — from the lead performances to the score and art design.

I’m also finishing “Blue Love Dance — A CineRomance,” inspired by what I consider the pinnacle of my career — the love scene dance in “More Beautiful for Having Been Broken.” It’s a groundbreaking concept, and the telling of it is about my love affair with all things celluloid!

My ninth feature, “do we not grieve,” is in development. It’s a powerful drama delving into the mind-altering effects of profound loss and the unexpected paths to healing. Each project pushes boundaries in its own way, reflecting my commitment to storytelling that resonates deeply and challenges conventions.

We are very interested in looking at diversity in the entertainment industry. Can you share three reasons with our readers why you think it’s important to have diversity represented in film and television? How can that potentially affect our culture and our youth growing up today?

Absolutely. One, Two & Three is that our stories matter. They teach and they heal. One of the things I love about “Coming Out For Love” is that between the Contestants and the Guest Judges and our phenomenal Hostess, Jessica Clark, the viewer experiences a tapestry of unique and very talented women. I’m so proud of this snapshot of our community “Coming Out For Love” provides along with a universe most straight folks are simply not familiar with. And our stories matter the most to those facing their own sexual identity, many of whom are finding their way to coming out. The films and shows with prominent gay characters are often the only identification available to those living in communities that are still very closed off to the LGBTQ+ community.




What are your “Five things I wish someone told me when I first started” and why?

Nothing is more important than spending time with your children — I’m not telling parents anything new when I say, it really goes fast.Write the book you want to read. Make the Movie you want to see.
Doing Lunch & taking meetings are two of the hugest wastes of time.
“You can’t do that” is merely a coward’s excuse.
Never fear failure.
Stay present or you’ll miss it!

Can you share with our readers any self-care routines, practices or treatments that you do to help your body, mind or heart to thrive? Please share a story for each one if you can.

I used to run in the mornings and as I got older began to power walk 4–5 miles 4–5 times a week. Walking in the morning sets my mind up for the day, but it also gives me a ton of energy to attack all the daily To-Do’s. And it keeps my body healthy and makes me feel so dang good!

I spend as much time as I can with my kids…Seriously, they are my refuel. As I say about my adorable grand-daughter Ocean, “She delights the heart and the spirit.” Being with my son always makes me feel such incredible joy. My daughter, Gabrielle, is the person I trust most in the world. My step-kids are equally loved and adored, Alexandra, Lauren, Buddy & Daisha.

For my mind, I do as many brain activities as possible. I’m obsessed by Puzzles — up to 6000 pieces now. I’m an avid poker player. I crossword daily, engage in game apps and challenge myself to learn new things — like all the special effects in “Blue Love Dance — A CineRomance” I taught myself how to use. Always be creating new neuro-pathways!

Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life?

“Life can be ordinary, or it can be great” — This is step from Women for Sobriety, which is the program I used to get sober at 24. It’s all about our attitude…and for me that’s all about gratitude!

You are a person of enormous influence. If you could inspire a movement that would bring the most amount of good to the most amount of people, what would that be?

Honestly it would be to deal with the deep divide in our nation. It isn’t just about politics anymore — it’s about two fundamentally different realities. If I had the means, I’d propose a peaceful separation: the United States of Blue and the United States of Red. Not out of anger or hate, but from a place of acceptance that we’ve grown too far apart to reconcile. Let each side live according to their values and vision. It breaks my heart to say this, but I can’t bear to watch what’s happening to our country. I’ve literally not seen a second of news since the election. My heart can’t take it. Sometimes, loving something means knowing when to let go.

Is there a person in the world whom you would love to have lunch with, and why? Maybe we can tag them and see what happens!

That probably would be Kamala Harris…She would have been one of our greatest leaders.

Are you on social media? How can our readers follow you online?


Instagram: https://www.instagram.com/nicoleconnfilmsglobal

TikTok: https://www.tiktok.com/@nicoleconnfilmsglobal

Facebook: https://www.facebook.com/nicole.conn99

YouTube: https://www.youtube.com/@NicoleConnFilmsGlobal

IMDB: https://bit.ly/NicoleConnIMDB

LinkedIn: https://www.linkedin.com/in/nicoleconn

Website: https://nicoleconnfilmsglobal.com

Website: https://comingoutforlove.com

This was so informative, thank you so much! We wish you continued success!

Story Merchant E-Book Deal: FREE May 19 - May 23! Ariadne: A Tale of the Minotaur by SD Hines

Three thousand years before The Hunger Games, a conquered nation was forced to send their finest youths to fight and die, facing an invulnerable creature they had no chance of defeating.

ARIADNE: A Tale of the Minotaur--one of Hines' Heroines of Classical Greece series--is a contemporary retelling of the classic tale of Theseus and the Minotau.



ARIADNE
A Tale of the Minotaur
Heroines of Classical Greece #1
S. D. Hines




Prologue

Malanus, High Priest of Tauros and thus titled the holiest of all men born, breathed a sigh of relief. The island was finally in sight. He could make out the misty silhouette of land arising through the dark seascape lit only by a few of the brighter stars that managed to shine through the gray, dank clouds. He was a man of the city, and had little experience with the sea. He knew that under other circumstances the sailors charged with bringing him to this destination would have chortled at his retching and heaving throughout the voyage. Instead, they turned their faces and absorbed themselves in their work, rubbing talismans and muttering charms against misfortune.

He shook the nausea from his head and belly. He didn’t know if their fear was of him, or the purpose of the journey. On brief refection, he noted with some satisfaction that he didn’t really care. In their entire, pitiful lives, they would never be on a voyage as important as this. And worse yet, they would never appreciate their singular fortune as those who helped forge a new god.

The mariners silently went about the tasks that it took to keep a military galley afloat. The painted eyes on the prow seemed to stare through the fog but the mist-shrouded land seemed even more hidden. Unnoticed, burly Nostrisus materialized beside him, hand on the hilt as always. “High Priest Malanus, the Cursed Isle lies before us. Shall we anchor offshore and approach the village in the morning or land tonight?” Nostrisus, head of the temple guard, had been described as a shaved bear with half the looks and twice the ill-temperament. His impassive face bore a crisscross of scars courtesy of blades turned against him for reasons other than shaving. Their wielders had all crossed the River Styx, the river of death.

Malanus shifted the white linen robes embroidered with figurines of bull heads. Never tiring of the sensual feeling of flowing linen on his bare skin, he willed his eyelids to flutter open. “We shall enter the village immediately after landing. Believe it or not, there have been … tales of resistance among the Cursed when we have landed in the past.” Malanus stood half a head shorter than Nostrisus and was of middle age, portly and pale. Bald but for a rim of hair that traveled behind one ear and meandered to the other, he was a man who appeared nondescript until one looked at his eyes. His cold, black pupils were that of a predator’s. Men whispered he was the most dangerous man in all of Crete.

Nostrisus let his hand grip the sword hilt tighter as a word hissed from his lips. “Resistance? Blasphemy!”

“You speak the truth. But parents will always seek to protect their offspring from the uncertain, even if the purpose is to elevate their children.”

His comment was met with a snort, but the hand gripped the bronze sword all the tighter.

***

The little isle held a single village and a smattering of huts at the periphery. Shunned by traders, its inhabitants lived the rudest of lives. Their houses were built of the local stone and wood, not a pebble of marble. The pottery was plain and adorned with only the native clays as pigments, none of the fine Egyptian inks. The villagers wore wool from the native goats. From the look of the dilapidated hovels, their lives were hard ones: there was little but the bare essentials for survival displayed in the ugly hamlet. Malanus shook his head at the poverty and squalor. Such a place should have been wiped clean of its human cancer long ago, but it was left untouched for a single reason: one of its inhabitants was prophesied to help give birth to a god.

He smiled maliciously, raising the bronze horn to his mouth, puffed out his cheeks, and exhaled.

The ship had landed at the darkest hour just before dawn. The cadre of temple guard had gratefully disembarked from their floating home for the past several days and encircled the sleeping village. No dogs barked warning. Malanus suspected that the place was too poor even to support pets. It was likely that any dogs had been long ago eaten.

As the horn blew, the soldiers put coals to their pitch-dabbed torches. Tendrils of flame flared, swords left scabbard with a spine-tingling rasp, and shouts rose in a chorus of threats, curses, and bellows. Spears and blades crashed against bronze shields, and the villagers spilled out into the flickering light with fear and confusion on their sleep-besotted faces. Malanus noted with amusement that the few men who stumbled from their huts bore little more than sharpened sticks for protection.

The villagers understood a smattering of Minoan Greek, and other than a few resistant young men, were easily herded into the center of the village. As the dawn broke, the fog lifted and eyes were wide at the might of the navy of Crete, two dozen war galleys moored with the appropriate guard, flames reflected off drawn weapons.

A white-haired man was brought before Malanus, eyes appropriately downcast and assuming the position of supplication. Good. There was at least one inhabitant who was not a worthless inbred moron. “What is your name, swine?”

The man didn’t raise his eyes. Good. “Master, my title and name is Viceroy. I was chosen by lot to serve as head of our people and our representative to the King of Crete.” He paused, and with effort and fear, posed a question. “Many years ago, when we last had a ship land, the king of Crete was Minocea. Does he still rule?”

“No. Minocea died long ago. After his death King Minos assumed the throne. As the lawful king and with the need proscribed by the gods, he has come to take the levy from your village as is his right.”

Viceroy cringed. “My lord, we have little or nothing of value on this island …”

“Oh, but you do.” Malanus touched an olive tree, withered like the island’s inhabitants. “The fruit you bear does not grow from a tree or in fields. The riches you harbor are not mined from the ground. What we seek is a child of immense potential, one among you destined to a greatness that can scarcely be imagined.”

Viceroy paled. “You must be mistaken, my lord. We are a small island, and without outside mates, our lineage weakens with time. We are not allowed concourse with others …”

“And for good reason. Your little isle has a reputation for breeding those like the one we now seek. I will inspect your people.”

Flanked by soldiers, Malanus walked slowly up the line of villagers, eyeing each one in turn, but his attention focused on the youths. Centuries of inbreeding had given them a frightening homogeneity: broad of face and form, muscled but perhaps a little intellectually dull. Foreheads unnaturally broad and with frontal bossing, many of the young men were tantalizingly close but not quite …

There was a scream. A woman in rags, wild greasy hair slinging around her, was dragged by a soldier. A child, face hidden in flickering shadow, trailed her, moaning and gurgling. She began pleading. “Mercy, oh great lord. My son is all I have. I only hid him under the bedding for fear you were brigands.”

“His father?” Malanus’ voice was impassive.

“He died last year, great lord. The gods afflicted him with headaches and they finally killed him. Please, mighty lord, let me bring him back to my hut. He is a simple lad and is terrified.”

The priest’s voice was neutral, eyes narrowed. “Bring the boy forward with the others.”

Rough hands reached into the darkness and grabbed the wailing child. His mother screamed and briefly grappled with a soldier. In the dawn’s light a blade flashed and the woman’s struggles were silenced in a wet gurgle. The stunned boy was pushed roughly into the firelight.

There were a half-dozen other young boys around the fire. When the newcomer was thrust into their midst, they sidled away, made signs against evil, and turned their faces.

The darting flames revealed a boy of perhaps four years, but much larger than the others. His head was huge, eyes very wide set and sunken deep into the skull. His temples were enlarged, his chest wide. The nose was broad and flat, nearly devoid of cartilage. The huge, dangling arms were almost the length of a man’s, and held claw-like appendages. Alone, the eyes were normal. They peered with confusion from the events, unable to comprehend the reality of his mother slain before his eyes. He sobbed pitifully. In the eyes of every man, woman, and child assembled there, he was the ugliest human being that the gods had ever being assembled.

Malanus finally raised his eyes, tremulous, and he fought to keep from quavering with excitement. It was beyond his wildest hopes. He spoke on behalf of his entire assemblage. “Child, your name is irrelevant, as you are now a new being. Your old mortal skin will be shed, and you will be brought to Crete and refashioned into something new and wonderful!”

There was a moment of confusion and the boy wiped his eyes. Crete. He had heard of it. But never before had he been allowed outside the confines of his village because of his deformity, ensconced in his hut where he was rarely seen by others. Was Crete another village on the other side of the hill?

Led gently by Malanus, the malformed child stood in front of the fire, his visage revealed to all. The villagers slunk back in revulsion, but to their astonishment, the soldiers dropped to their knees and bowed their heads in supplication, the same honor they gave a king.

Malanus led the prayer. “Hail son of Tauros, god of strength, virility, and war …”

Tears streaming down his face, the boy looked disbelievingly at the worshipful throng, his face finally turning to the unmoving, bloody body of his mother, the sole person who had loved him.

Chapter 1

Ariadne gazed at the bars of her prison, as she had a thousand times before. She wiggled the sand between her bare toes and pushed her lip out in a pout. The bars were not those of metal or even ironwood, but the waves lapping at the shoreline were just as effective at hemming her in. On the horizon she saw a triangular white sail and sighed. Even the fishermen had more freedom than she.

Her musings were rudely interrupted by a handful of wet sand that pounded her in the neck and slipped down the back of her shift. Her wavering shriek was a blend of the reactions to the shock of the blow, that of cold water trickling between her shoulder blades, and righteous anger. “Phaedra! I’ll whip your legs with willows when I catch you!” She stooped to grab a fistful of sand but was stopped cold by a commanding voice.

“You shall do no such thing, young lady. The task of discipline is mine, and mine alone!” The stentorian voice, so startling in a woman, froze her blood and stiffened her spine. Even her giggling little sister froze in the act of scampering away, her wide eyes betraying her panic. A thought shot through Ariadne that if their nanny, Stelith, had been born a man instead of a woman, she’d have been a personage of power. A sailing captain, a general, maybe even a king!

Stelith took a full moment’s measure of Ariadne and shook her head. The girl was in the prime of her youth, with a figure that would make the best Athenian sculptor hopeful of capturing her form and symmetry as a token to a goddess. Oval face with a snub nose and green eyes, she had auburn hair that caught the sun’s light that at times surrounded her head with a golden halo. Though a beauty beyond compare, she was lonely as few girls were on Crete: she was watched day and night by the guard, with little concourse among young men of her own age. As the princess and heir to Crete, her beauty was only valued by her father, King Minos, as currency to be bartered with foreign lords.

Stelith took a linen cloth and wiped Ariadne’s back as best she could, shaking her head and occasionally fixing Phaedra in a withering stare. “Phaedra, such behavior is not appropriate in a princess of the house of Minos. Sooner than you think, you will be of marriageable age. What prince will have a fool for a wife? Now, you will finish scouring the rock bed for scallops and then spend the rest of the afternoon scrubbing pots in the palace kitchen.” Phaedra’s indignant shrieks fell on two sets of deaf ears. After a minute, Stelith shushed her.

“Now, let’s suppose that one of you wanted to harass a rival on such an outing. How would you do it properly?”

Phaedra’s indignant cries stopped and she grinned. These trips often were excuses for instruction in palace intrigue, and she gloried in it, unlike her sister. “I could have faked a stumble and stepped on the back of her sandal, kicking her heel tendon in the process, leaving her bruised and limping for the day.”

“Good. Then how would you disguise your action?”

“I’d apologize and would tend to her wound, weeping the whole time. Then I’d feign a limp the rest of the day and grimace with each step, as if the stumble had hurt me more. But I’d make sure that she and she alone saw me grin.”

“Good. What do you think of this, Ariadne?”

“Stelith, I love you, but I consider this foolish. I will not engage in such petty behavior.”

The nanny gave an icy look. “I love you too, girl, and that is why you must learn to manipulate men, just as men learn to manipulate blades. Your destiny is to be a queen, but a queen does more than bear a king’s children. The day-by-day running of a kingdom is hers to do, and her tools are not mortar and hammer, but the flesh and blood of her subjects.”

Ariadne shrugged and picked up a wicker basket and twisted the lid so the clacking crabs inside wouldn’t escape. She muttered to herself, “nobody asked me if I wished to be a queen at all” but she dared not voice the words audibly. She turned to the north and looked at the white-washed castle walls surrounding the central compound. In the center was the royal house, rising to three stories and easily the second largest structure in all of Crete, if not all of Greece.

Just below and inland to the rise of the castle was a rocky plateau. She could vaguely remember it as a pasture for goats and cattle when she was a little girl. Now, it held a roofed structure of marble and granite that seemed to expand daily, like the tendrils of an octopus. Hundreds of workers, most of them slaves, toiled at loading the blocks one upon the other. The sprawling Labyrinth was said to be the largest structure man had ever constructed, at least since the days of Atlantis.

A deep bellow seemed to echo from the distant walls. For a moment even the gulls were silent. Was it a man or beast? She shuddered and turned her face back to the frothy bars of her prison and waded in the surf, alert for another scuttling crab.

Chapter 2

He could barely see. Little enough light filtered through the vents cleverly hidden above, but for some time he had been aware of his vision narrowing from the sides. Subtle at first, his sight constricted until he was now only left with a pinprick directly ahead. Hearing and smell became augmented senses, and he had mastered their use to the point that he wasn’t handicapped. After all, what was there to see? Only gray, monotonous walls.

He stopped and clutched hands to his temples, bellowing from the pain. When the tears stopped, his knees buckled and he breathed heavily, moaning. Why did the gods hate him so?

***

Daedalus wiped sweat from his brow and made some deft changes to the papyrus. Brought from the far Nile, it was worth more than gold and could be carefully wiped clean of its thin chalk lines for later re-use. The design was like nothing the world had ever seen or ever would see again: parallel lines depicting passageways converged, diverged, branched, split, reformed and occasionally swelled to chambers and rooms both square and rectangular. He stood on a sturdy platform of his own design that soared nearly a hundred cubits into the sky, the platform itself a masterpiece that could never have been replicated elsewhere. The design on the paper was an exact duplicate of the walls being constructed below. This had been the greatest work of his lifetime, over a dozen years in the making.

Unquestionably the greatest mind in Crete, many whispered Daedalus possessed the mightiest intellect of all time, at least since Atlantis fell. But if Daedalus heard such whispered praise, he would blush and politely disagree, citing the works of others in Athens, Thrace, and Memphis in far Egypt. In his prime of life, he was already nearly bald and wore ragged tunics that rarely surpassed the quality of the lowliest slave. But his eyes were bright and searching, and his eyes and broad forehead bore concentric circles of wrinkles formed both by smiling and the frequent furrowing of his brow in contemplation. Though technically ranking high in the nobility, Daedalus’ talents were distributed to the commoners as well and he was beloved by all in Crete.

He looked towards the sea and saw the palace at Knossos perched atop the rock outcropping. It had been remodeled to his specifications so radically that there was almost nothing left of the original structure. Granite clad in white marble, he winced as it reflected the sunlight. The central structure, surrounded by walls thrice the height of a man, was serviced by both a sewage system and warm bathing water available from huge copper cauldrons perched atop the roof warmed by the Mediterranean sun. High ceilings moved air upwards in the summer and cunningly devised fireplaces reflected warmth to the interior in cold weather.

The construction area was a flurry of activity. Donkeys and mules hitched to log rollers dragged massive granite blocks that were hoisted to lifts utilizing counterweights to swing the several-ton pieces into place. Each was fitted so perfectly that mortar was not necessary, the center of each block having identically placed holes that were joined by ironwood pegs: his own design. Then slabs of marble were laid piece by piece atop the completed sections. This was the largest roofed structure in the entire world, with more stone used than the grandest pyramid in Egypt. Workers in loincloths toiled with ropes and animals, and obsessively maneuvered blocks so they were perfectly set. There was more than pride in workmanship involved: each man was a slave, and his freedom would be purchased by the speed and quality of his workmanship. The men worked with gusto and often past their allotted workday.

Daedalus prided his craftsmanship with people as much as his buildings, and was respectful of both. He had negotiated hard with Minos on behalf of his workers. On completion of the structure, all the slaves would become free citizens of Crete.

His musings were interrupted by a voice. It was the foreman, one of few who dared to climb the ladder this high. “Master, we have lost another worker. Can you see him from this height?” The tone of his voice indicated he doubted it was possible.

Daedalus squinted towards the structure. He used a polished crystal to help read the tiny print of scrolls but had nothing to help with objects far away. Perhaps if he ever had time he could invent something if he matched two of his lenses and joined them? “I am sorry, my friend. I can see nothing. Maybe one with keener eyes might spy something? Send a youth up here.”

“Perhaps, master.” The foreman knew better but would still make the effort. More than twenty men had been lost in the building of the Labyrinth. The workmen had become disoriented despite careful orders and caution not to enter a completed section, but all these workers somehow returned. Universally they reported being hopelessly bewildered, one winding turn leading to another, and the way back somehow radically altered when they turned around. More terrifying, they reported being pursued by a beast. Snorting and bellowing, the gods somehow saved them as they stumbled to the entrance before they could be disemboweled and eaten by the monster.

More than three dozen armed men had been sent into the Labyrinth through the years. Usually singularly, they occasionally went in pairs. Nearly all were condemned prisoners and this was their punishment, though a few adventurous young men from other lands had arrived, brashly boasting that they would destroy the monster and win acclaim. Daedalus gritted his teeth at the memory. None returned and their agonizing screams intermixed with the monster’s roars gave testimony to their fate. Later, their broken bodies would be found at the entrance.

The missing worker had been in the covered portion and could be anywhere by now. Rather than follow the instructions of staying put if they were lost, men had a tendency to run frantically and randomly, mired deeper in the maze within minutes. More than once a co-worker became lost as well following the voice of a friend to his doom.

An adolescent scampered up the ladder excited and awed to be in the presence of the great Daedalus. “My lord, how may I be of service to you?”

“I require the eyes of youth, lad. Please, scan the Labyrinth and look for movement. A worker was lost, most recently seen in the northwest construction.”

After several minutes of intent searching, the boy turned to Daedalus, eyes welling with tears at his failure. “I am sorry my lord. I cannot see him from this angle. He may be under the roofed portion.” He looked at the papyrus. “If you would lend me the map, I will enter and search for him at your command.”

Daedalus eyes widened. “No! I will not lose two. The map will be of no use to you there.”

“But why not? My father is a mariner, and he taught me to read maps.”

“This maze is like none ever constructed. Door frames are larger or smaller in concert to give the illusion of distance. Some areas burrow under the ground with sections above their heads. Dead ends will be revealed to have a hidden side passage. Not even I can navigate this maze, even though I have overseen its construction. It almost seems that the Labyrinth has taken a life of its own and grows.”

The boy’s eyes widened. “The monster?”

“Perhaps. I have never seen what was brought inside, but I give it my full respect. You should as well.”

At that very moment, the walls of the Labyrinth seemed to quiver with a mighty roar that echoed through the passages, varying distances causing a waxing and waning of the bellow that amplified its volume. Now both inventor and boy winced. The screams of the lost worker were drowned by the animal howl. Daedalus bowed his head and prayed that the poor man would find his way to the entrance before it was too late.

***

King Minos glowered at the chief priest of Tauros, but only behind his back. Malanus held power just under the king himself, and he would prefer an ally to an enemy. But he would only put up with the priest to a certain point.

“Malanus.” he began, noting with satisfaction that the priest spun and declined his head when addressed. “I have given some thought to your proposal and have discussed it with my councilors.”

“And?” Malanus was careful to keep his head slightly bowed and respect in his voice, yet his heart seethed with contempt. True, Minos had cemented Crete as the primary power in all the Mediterranean both militarily and economically, but despite two wives he had managed to produce only two still-living heirs, and both only girls. Although a priest was unable to marry, he had sired seven sons and three daughters. Clearly Tauros, god of strength and virility, favored him over the king.

“I agree that the treaty signed with the Athenians is not only valid, but just. We have the right to demand seven pairs of their finest, young men and women, to serve as we see fit.”

“That is indisputable, my king. After all, they killed your own son.”

A pang of pain went through the chest of Minos. For a moment, he thought of the warnings of the healers, who cautioned that such portents suggested failure of the heart and impending death. He put it aside. If the gods willed it, death would be welcomed. “And in the ensuing conflict, we killed many of their sons as well. It was a skirmish, not planned. Crete and Athens had no embassy at the time. Now we are trading partners.”

“But not allies.”

“No, not allies. And that is the point of my councilors. We overcame the Athenian forces and forced them to the treaty out of anger and vengeance. They council it is best to take a step back and let us welcome them as friends instead of a conquered people.” He paused. “Though my heart is still pierced by the loss of Androgeos all these years, when my councilors speak, it is hard to discredit their words.”

The voice that replied was cold. “Your seed is permeated with divinity, my king. The murder of your son was an affront to the gods themselves. You have not sired a male heir since. This is clearly a judgment from Tauros. You must act, not on your own behalf, but for that of Crete.”

The priest could sense Minos inflate with pride when reminded of his bloodlines. He continued his baiting. “To show pity at this time would lead the Athenians to believe we have weakened, and they may rebuild their navy to challenge us.”

Minos turned to the window and surveyed the bay. Dozens of warships lay anchored, most were returning from mock battles. “That upstart city? Merchants and olive growers? They wouldn’t even serve for practice against our fleet.”

Malanus nodded and straightened his robes so the embroidered bulls at the sleeves would be more visible. “True, my king, but men would die unnecessarily on both sides. To continue taking your lawful Tribute will actually help the Athenians as well as please the great god Tauros. We must preserve the natural order of things, and the tributes are no small part of this. We are the lords, the Athenians our vassals. Fourteen of their youth is but a pittance.”

Minos nodded, brow furrowed. “It is as you say. And we provide them with safe passage, spending our own blood and treasure in the form of our navy to stave off pirate attacks, do we not?”

“It is as you say, sire.” The smile was hidden underneath the bowed head. “This token is but a sliver of what is ours by right. And these youths are honored in return by their service to the great god Tauros. Some of our own people are jealous that foreigners are so honored before themselves. And remember this: some of your councilors have trading contracts with the Athenians. I hardly think their council is impartial.”

Minos nodded, and smiled. “Thank you my friend. What you have said is true. Sometimes it takes another man to open the eyes when one has had them clouded by devious words.”

High Priest Malanus bowed all the deeper and let the smile stay within. Besides the gold that accompanied the youths, he had control of the fates of the fourteen most comely of Athens. He was not lying when he told Minos that they were dutifully serving the great god Tauros: Three of the most attractive girls were part of his harem, and the rest were doled out to Nostrisus and his confederates in the temple guard. The boys had found uses as well.

There was a brief pang of regret that this new Tribute arriving would not serve to satisfy his earthly desires. They actually would be used directly in the service of the great god Tauros. He smiled: they would be used in a way they couldn’t remotely imagine.

Chapter 3

Pain. It flooded his skull, beginning in a spot at the exact center, then spreading, focusing behind his eyes. It was throbbing and pulsatile, but also intermixed with stabs like red hot nails being driven into his head. He knew the analogy was a good one, because he had literally experienced metal digging into his skull. The spells now came daily, and would make him cease all activity. At times he would bring his clenched fists to his face and scream.

Where was he? Who was he? Why had the gods hated him so much to curse him so?

***

Aegeus read the dispatch and his head slumped. “I had hoped that the time of Tribute was to end. But Minos demands the same as before: seven each of our best young women and men.”

Theseus bristled. “This is madness, Father! Years ago Minos’ son Androgeos won the Athenian games and all the more honor to him. But he had the misfortune to be involved in a fight in the tavern district and succumb to a knife wound. Why should the entire city be punished? We had no part of this and the area was thoroughly cleansed of identifiable miscreants, now and since. We pay for a night watch to clean out any ruffians. Athens is the safest city in Greece.”

Aegeus nodded and closed his eyes. “Nonetheless, Minos has chosen to make us pay a heavy price. When we resisted three of our warships were destroyed with the loss of over a hundred men. The Tribute, as degrading as it is, is preferable to warring against the might of Crete.”

“We will fight!”

“With what, Theseus? The navy of Crete vastly outnumbers ours. They have allies through their trade in all of Greece and can call them to their banner. They are the premiere power on land and sea as far as Egypt and Thrace, and probably beyond. As strong as your sword arm might be, it is nothing to that of the might of Minos.”

Theseus didn’t reply, instead he looked seaward, to the hill holding the slowly evolving pile of marble blocks and pillars that would someday be the temple of Athena. “It is time for Athens to exert itself as a power, Father. We cannot continue to languish under the heel of Crete. We have suffered enough for his son’s death, far out of proportion to what is justified by law and common sense. To demand more from us is an outrage that cannot be tolerated.”

“We have no choice. I’d take any option other than submission, but there is none, son.”

“And what did Minos decree the endpoint of our servitude to be?” It was a challenge as much as question.

There was a pause. “His embassy demanded the same Tribute as before: seven of our young men, seven of our young women. There was no endpoint specified. But we suspect there may be another option.”

“And that is …?”

“If you recall, it is traditional in Crete for the condemned to have a last chance for redemption if they complete a formidable task. The past few years, those condemned to death were given the option of entering the Labyrinth.”

Theseus nodded and looked towards the south, towards Crete. His eyes narrowed and he clenched his hands into white-knuckled fists.

***

Daedalus watched his son play with wooden blocks, stacking them up high. He smiled. The lad already had the drive and intensity of his father and a spirit of adventure that required constant vigilance. If only his mother had survived the childbirth. He shook off the ache in his heart and concentrated on the wondrous child she had left behind. “Icarus, have you bathed yet today?”

The child smiled and shook his head, tottering to his nanny without a word. Daedalus smiled and returned to his work, speaking to the girl who swept the boy into her arms.

“It is the smiles and enthusiasm of youth that gives me purpose. If not for my wife’s gift to me of Icarus, I don’t know if I’d have a connection to the living world anymore.”

She tousled the child’s hair. “Then Icarus is praiseworthy indeed. The people on the street speak your name with reverence, my lord. Your works have touched the most humble. Even my mother finds that her laundry is easier with the fountains that are always full by the magic your devised!”

Daedalus shrugged modestly and smiled. “Not magic. It was only the study of the forces of nature and a logical application of what we see daily. The wind we feel daily is constant and strong. Harnessing its power was as simple as observing a child with a pinwheel.”

The girl cast her eyes downward. “Nonetheless, my lord, it must be the gods themselves who have opened your eyes, and your eyes alone, to what others have missed. And who else would use this gift for the good of all rather than personal profit?”

Eyes downcast as well, Daedalus murmured softly, “Sharing one’s fortunes with others should not be for profit, but a blessing, and first and foremost to the giver.”

The girl smiled and she darted to Icarus, who was busy constructing another pile of blocks ready to fall.

Daedalus simply closed his eyes and remembered a time more than thirty years before. As the memories returned, his chest tightened and he wheezed for air.

***

War was smoke, smoke and fire. It was the screaming of women and children, the shouts of men. It was the face of the dead, lying on the earth with puzzled, unseeing eyes, no longer embarrassed by the loss of their stool and urine. Worse yet were the eyes of the animals, horses and dogs, slain with no inkling of their sacrifice, whether it be for good or bad.

Daedalus was too young to remember the name of the city. Not Athens, but certainly allied to it. Nor could he remember his father other than a dim image frozen in his memory, that of an impossibly tall man, at least to a child’s eyes, who clutched a farming implement used for tilling. His face was brave but fearful at the same time. No warrior, he was going into battle for his family and knew he would never return. He clutched his son to his breast and looked at him with eyes that betrayed knowledge of his fate, but they also held a glimmer of hope. “Persevere.” he whispered to his son. Then he turned and left the little hut into the nightmare of fire, smoke, blood, screams, and flashing bronze.

He never saw his father again.

Blood and soot-streaked men shouting commands in an unfamiliar Grecian accent herded the ragged and terrified children and women into the village center, their communal well broken and piled with the bodies of the slain. Raising his eyes above, he saw the familiar moon, Selene, now red-streaked as if defiled by Ares, the god of war. He held his little fists to his eyes as he tried to shut out the images. Some of them were those of women raped, begging their children and siblings not to oppose the warriors on their behalf. The other sounds were that of the men not already killed being ritualistically slaughtered, his mother joining their ranks when she broke shrieking from the line of defiled women and ran towards her son.

Because he was perhaps four and small for his age he was spared and herded with the others to be sold at the slave market. He no longer remembered the name of his little village, nor his birth name. His name from that day forth was Slave.

Daedalus never forgot the last words of his father. He persevered. He did what was required and more. Even as a child, his quick wit and intelligence set him apart from the others. His new name, Daedalus, derived from a nickname meaning clever worker. He went from slave to foreman to apprentice architect to master architect faster than any could remember. Minos put him in charge of the palace restoration and finally the construction of the Labyrinth, the largest building project since the fall of legendary Atlantis.

It was traders from Crete that had recognized his potential and brought him to their island where he had blossomed and shed off the label of slave. He had adopted the island as his own and loved the people dearly, turning his talents for invention to the benefit of the average citizen.

Technically he had never been freed and was officially a slave. But his gifts were unique in Crete if not the world, and it was unlikely that there was a person alive who realized this omission. He was grateful to the good people of the island nation, but never forgot his origins and was cautious in dealing with those of power.

From ragged orphan slave to a lord of Crete, the mightiest empire of the Mediterranean, his transformation was breathtaking and unparalleled. In the known world, every man of power had risen to his station on the basis of heredity, wealth, religion, or skill in arms. Daedalus alone rose to power on the basis of his intellect. He bowed to Minos, King of Crete, and Minos alone. He vowed to use what talents the gods had bestowed on him for the good of all people and never to further wars of conquest.

Shaking the dusty memories from his head and willing his heart to slow, he stood and walked to the little slit window, hands crossed behind his back. The apartments on the backside of the palace complex were not the most desirable: the ones on the front caught the sea breezes and had a panoramic view of the Mediterranean. The view he craved like breath itself stood arrayed before him. He sighed and viewed what was arrayed before him.

The Labyrinth.



Copyright © 2013 by S.D. Hines All rights reserved.

No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the express written permission of the author.

Story Merchant Books

FILM COURAGE: Sell Your Story To Hollywood: Writer's Guide To Show Business - Dr. Ken Atchity [FULL INTERVIEW]

 



Available on Amazon
The #1 Writer's Pocket Guide to the Business of Show Business by Kenneth Atchity.
Through the expanding influence of the Internet and the corporatization of both publishing and entertainment, the process of getting your book to the big screen has gotten more complicated, more eccentric, and more exciting.⁠
This little book aims to help you figure out how to get your story told on big screens or small. ⁠

Work 1 on 1 with Story Merchant CEO, Hollywood producer, and author Dr. Ken Atchity.

Sign up Today at Writers Lifeline




Awakening Magazine Shines A Light on YGB Mission of Empowerment and Unity in Action!

 





 

"Do your work. If everyone follows their calling and dedicates themselves to it, the world will be a better place.” 

 

This insightful interview explores what began as Kayoko Mitsumatsu’s exploration of yoga philosophy and social entrepreneurship, which has grown into a global movement. As the founder of Yoga Gives Back, Kayoko transformed a simple idea—redirecting the cost of one yoga class—into a powerful nonprofit initiative that funds microloans, education, and empowerment programs for underserved women and children in India.

Each year, after visiting all of the Yoga Gives Back organization’s programs throughout India, Kayoko makes a meaningful visit to Mother Teresa’s Home in Kolkata. From a young age, she hoped to volunteer at the Home for the Dying. On one occasion, she spoke with a sister who had worked closely with Mother Teresa. When she expressed her desire to serve there, the sister responded, reflecting Mother Teresa’s own wisdom: “Don’t come here! You’ve already found your mission.“ Kayoko strives to stay focused on the mission itself rather than the outcomes.

With time, Kayoko came to see YGB’s work as truly divine.  Yoga Gives Back continues to attract extraordinary individuals who arrive when needed most, helping move YGB mission forward. Our global family of supporters, Ambassadors, partners, and donors make our mission possible—embodying this year’s Global Gathering for India's mantra, Unity in Action. Every step we take together helps transform gratitude into action every day.

 

A Circle of Impact—Thanks to You

Since 2007, Yoga Gives Back has supported underserved women and children in India—the birthplace of yoga—by providing:

  • Microloans for 550 mothers through our Sister Aid program
  • Primary education for 600+ young girls to prevent child marriage and labor
  • Five-year college scholarships (SHE Program) for over 400 disadvantaged youths
  • Digital literacy training and internet access for rural women and girls
  • Safe housing and education for children with no families to care for them

 

GET INVOLVED!


Story Merchant E-Book Deal Ken Atchity's Sell Your Story to Hollywood $.99!

Available on Amazon



The #1 Writer's Pocket Guide to the Business of Show Business by Kenneth Atchity.
Through the expanding influence of the Internet and the corporatization of both publishing and entertainment, the process of getting your book to the big screen has gotten more complicated, more eccentric, and more exciting.⁠
This little book aims to help you figure out how to get your story told on big screens or small. ⁠
Maren R, Reviewer

Full of information but still easy to read! If you want to start screen writing -even if it snot the rather lofty goal of becoming a Hollywood writer- this book will tell you how you could actually manage it!


Cristie U, Reviewer

This is a helpful and honest guide as to how to get your book made into a movie or tv show. It seems like it would be easier now because of the internet, but the author points out how difficult it still is and how to ensure your book gets into the right hands.


Terri D, Reviewer

Sell Your Story to Hollywood is a quick guide to getting your story into the hands of those who make things happen in Hollywood. The author Kenneth Atchity speaks from experience with decades working in Hollywood to get stories from the page to the screen. Although every guide about breaking into Hollywood should be viewed through the lens of how small the odds really are, this book starts out a bit discouraging for those who are truly interested in learning what they can do to move from a novel to a produced screenplay. The first step in getting this done, according to this book? Have an international bestseller. Okay. Not everyone can do that. Step 2: get reviewed by the NYT or other prestigious publication. Um... if a writer had that, they probably wouldn't need this book. While some of these initial steps are not quite what you would consider actionable advice for getting your screenplay produced, the book does move toward more actionable steps that you can take, though the guide does assume that you have a great story to tell with either an impeccably written novel or screenplay. As a writer with scripts but no connections to the industry, the parts of this book that I found most helpful were actual Appendix B and Appendix C. Writers at any stage can probably find something useful to take away from this guide to use in pursuing their own Hollywood career.

Reviewer 428382

Informative and well written, this is a guide that ever writer should read. I really enjoyed it and learned a lot. 


pamula f, Reviewer

Hollywood buys stories all of the time. Sometimes they buy a story that started out as a small article in a hometown newspaper. This book will show you how to get your writing out there for the world to see.


Steven M, Reviewer

I’ve recently completed a screen writing course and was delighted to have been approved for this ARC. The author clearly knows his stuff and offers an insight into the world of scriptwriting for movies. A perfect introduction to a world that some of us can only dream of.


Librarian 121315

Have you ever watched a movie and thought to yourself that you can come up with a better story? Or have you ever been inspired by a movie to tell a story of you own? For either of those cases, this is one of the books that you must read. I said one of the books because there are other books that can also stir you in the right direction; nevertheless, this book will certainly give you a good start. I loved that the author offers real life examples of movies that we have heard or watched before making the book’s contents more relatable to the readers. This is a great introduction to the business of movie making and readers should feel more comfortable with this subject after studying this book.



The Goethe Book Awards recognize Leo Daughtry's Talmadge Farm!

First Place Category Winner 

in Late Historical Fiction



AVAILABLE ON AMAZON


 Praise for “Talmadge Farm”


“Set in North Carolina in the 1950s and 60s, Leo Daughtry’s story gives readers a cast of flawed characters that elicit sympathy, anger, love and hate. 

The Talmadges, landed gentry, and their two sharecropper families try to adjust to the changing political, economic and social landscape of the decade. 

Gordon Talmadge commits one mistake after another, ultimately destroying the legacy handed to him, as his loyal wife Claire stands by his side while the sharecropper families – one black, one white – are ultimately driven off the farm for better and for worse. A page turner.” 

— George Kolber, author of Thrown Upon the World, and writer/producer of Miranda’s Victim


“In this stirring novel, Leo Daughtry creates a big, complicated portrait of family, place, race, class, and greed. Set in North Carolina, Talmadge Farm tells the story of three intertwined families. Daughtry delves deep into the heart of his characters. You’ll almost forget that you don’t know them personally; this story feels that real.” 


 Judy Goldman, author of Child: A Memoir and Together: A Memoir of a Marriage and a Medical Mishap


“Talmadge Farm is a classic. Through the lives of a farm owner’s family and their sharecropping tenants, Leo Daughtry weaves a story about the emerging South. This is a story of triumph and tragedy, of good and evil, and finally reconciliation. A true morality play.” 

— Gene Hoots, former tobacco executive and author of Going Down Tobacco Road

Narrator Justin Price tells AudioFile listeners about narrating Leo Daughtry's novel, TALMADGE FARM.

 







 

"Talmadge Farm has often been described as a love letter to the South. Daughtry says, “Despite what the South has done and is doing, everybody loves the South. The South has a charm about it, and this book talks about the good parts of the South, how good the people are, and what the South has meant to so many of us… It’s a love story in many respects.”


It’s 1957, and tobacco is king. Wealthy landowner Gordon Talmadge enjoys the lavish lifestyle he inherited but doesn’t like getting his hands dirty; he leaves that to the two sharecroppers – one white, one Black – who farm his tobacco but have bigger dreams for their own children. While Gordon takes no interest in the lives of his tenant farmers, a brutal attack between his son and the sharecropper children sets off a chain of events that leaves no one unscathed. Over the span of a decade, Gordon struggles to hold on to his family’s legacy as the old order makes way for a New South.


 


Former screen writer and current psychotherapist Dennis Palumbo talks about procrastination, the dangerous myth of inspiration, and why writer's block is good news.  

 Listen at Apple Dennis Palumbo – Writer's Block is Good News and Other Surprises









New From Story Merchant Books Rick S. Mordecon's Offworld Origins Preorder Now!





PREORDER LIVE NOW FOR OFFWORLD Origins

TIME: 2325

SETTING: Earth, its Solar system, and beyond.

Earth unveils the most incredible engineering marvel in its history, the Space Ring known as “Shenu,” an off-world colony. From this moment on, humanity discovers more about itself, its solar system, and its unique alien origins. But there’s danger in every corner as a dimensional rift outside of Jupiter threatens to cause chaos in the Solar System, an alien presence is detected on Earth, battle lines are drawn, and a comet is sent on a collision course to strike Mars. 

Against this backdrop, a new AI intelligence is born, and a new advanced humanoid life form emerges. Witness humanity’s last stand as a group of future pioneers sets out to tame the next wild frontier, its own Solar System, and the worlds beyond, taking humanity to the most exciting, amazing, and dangerous places it has ever been.

The Ring Dwellers:

🧬 Gina Prime
Humanity 2.0, the most advanced being to ever traverse the stars. As questions of her origin intertwine with alien technology, an invasion plan, and humanity’s destiny, Gina must grapple with her role -- friend or foe, savior or destroyer?

🧑 Dr. Tantalus
A Transhuman Evolutionary Architect metaforming into a Reptilian who is the most dangerous adversary humanity has ever encountered.

🌌 Betta Rajastani
A Gen Epsilon 23-year-old twin whose evolution may be humanity’s best hope -- or its undoing.

🧬 UMA
More than just a soul-infused Geneticom, UMA may secretly be an alien intelligence infiltrating humanity’s core.

🧠 Anderson Olefors
A scandal-ridden genius and Gina’s creator. He holds the key to a terrifying truth that could shift the balance of power.

⚛️ Harrison Byrnes
Commander of Athena, the first sentient dark matter starship. His love for Gina may jeopardize the very mission he leads.

🔥 Perfect for fans of:
✔ "Dune" by Frank Herbert
✔ "The Expanse" by James S. A. Corey
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👁 If you love deep world-building, morally complex heroes, futuristic tech, and cinematic action with philosophical stakes, this book is for you.

👁 Step into a bold new universe where AI possesses souls, evolution blurs into extinction, science collides with myth, and the line between evolution and revolution is one secret from being crossed.

💥 OFFWORLD – ORIGINS is your gateway to a bold new universe where science, myth, and destiny collide.

📚 Ideal for readers who enjoy:
✔ Science Fiction
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✔ Philosophical futurism and AI ethics
✔ Tech-noir and intergalactic warfare

🛰️ History is written by the victors. The future? By those who dare to change the rules.

🔥 "Humanity’s final frontier isn’t space -- it’s what we become to survive it."

👉 Get your copy of OFFWORLD – Origins today and prepare for an adventure beyond your wildest and most disturbing dreams.