"The universe is made of stories, not of atoms."
—Muriel Rukeyser
____________________________

The Goethe Book Awards recognize Leo Daughtry's Talmadge Farm!

First Place Category Winner 

in Late Historical Fiction



AVAILABLE ON AMAZON


 Praise for “Talmadge Farm”


“Set in North Carolina in the 1950s and 60s, Leo Daughtry’s story gives readers a cast of flawed characters that elicit sympathy, anger, love and hate. 

The Talmadges, landed gentry, and their two sharecropper families try to adjust to the changing political, economic and social landscape of the decade. 

Gordon Talmadge commits one mistake after another, ultimately destroying the legacy handed to him, as his loyal wife Claire stands by his side while the sharecropper families – one black, one white – are ultimately driven off the farm for better and for worse. A page turner.” 

— George Kolber, author of Thrown Upon the World, and writer/producer of Miranda’s Victim


“In this stirring novel, Leo Daughtry creates a big, complicated portrait of family, place, race, class, and greed. Set in North Carolina, Talmadge Farm tells the story of three intertwined families. Daughtry delves deep into the heart of his characters. You’ll almost forget that you don’t know them personally; this story feels that real.” 


 Judy Goldman, author of Child: A Memoir and Together: A Memoir of a Marriage and a Medical Mishap


“Talmadge Farm is a classic. Through the lives of a farm owner’s family and their sharecropping tenants, Leo Daughtry weaves a story about the emerging South. This is a story of triumph and tragedy, of good and evil, and finally reconciliation. A true morality play.” 

— Gene Hoots, former tobacco executive and author of Going Down Tobacco Road

Narrator Justin Price tells AudioFile listeners about narrating Leo Daughtry's novel, TALMADGE FARM.

 







 

"Talmadge Farm has often been described as a love letter to the South. Daughtry says, “Despite what the South has done and is doing, everybody loves the South. The South has a charm about it, and this book talks about the good parts of the South, how good the people are, and what the South has meant to so many of us… It’s a love story in many respects.”


It’s 1957, and tobacco is king. Wealthy landowner Gordon Talmadge enjoys the lavish lifestyle he inherited but doesn’t like getting his hands dirty; he leaves that to the two sharecroppers – one white, one Black – who farm his tobacco but have bigger dreams for their own children. While Gordon takes no interest in the lives of his tenant farmers, a brutal attack between his son and the sharecropper children sets off a chain of events that leaves no one unscathed. Over the span of a decade, Gordon struggles to hold on to his family’s legacy as the old order makes way for a New South.


 


Former screen writer and current psychotherapist Dennis Palumbo talks about procrastination, the dangerous myth of inspiration, and why writer's block is good news.  

 Listen at Apple Dennis Palumbo – Writer's Block is Good News and Other Surprises









New From Story Merchant Books Rick S. Mordecon's Offworld Origins Preorder Now!





PREORDER LIVE NOW FOR OFFWORLD Origins

TIME: 2325

SETTING: Earth, its Solar system, and beyond.

Earth unveils the most incredible engineering marvel in its history, the Space Ring known as “Shenu,” an off-world colony. From this moment on, humanity discovers more about itself, its solar system, and its unique alien origins. But there’s danger in every corner as a dimensional rift outside of Jupiter threatens to cause chaos in the Solar System, an alien presence is detected on Earth, battle lines are drawn, and a comet is sent on a collision course to strike Mars. 

Against this backdrop, a new AI intelligence is born, and a new advanced humanoid life form emerges. Witness humanity’s last stand as a group of future pioneers sets out to tame the next wild frontier, its own Solar System, and the worlds beyond, taking humanity to the most exciting, amazing, and dangerous places it has ever been.

The Ring Dwellers:

🧬 Gina Prime
Humanity 2.0, the most advanced being to ever traverse the stars. As questions of her origin intertwine with alien technology, an invasion plan, and humanity’s destiny, Gina must grapple with her role -- friend or foe, savior or destroyer?

🧑 Dr. Tantalus
A Transhuman Evolutionary Architect metaforming into a Reptilian who is the most dangerous adversary humanity has ever encountered.

🌌 Betta Rajastani
A Gen Epsilon 23-year-old twin whose evolution may be humanity’s best hope -- or its undoing.

🧬 UMA
More than just a soul-infused Geneticom, UMA may secretly be an alien intelligence infiltrating humanity’s core.

🧠 Anderson Olefors
A scandal-ridden genius and Gina’s creator. He holds the key to a terrifying truth that could shift the balance of power.

⚛️ Harrison Byrnes
Commander of Athena, the first sentient dark matter starship. His love for Gina may jeopardize the very mission he leads.

🔥 Perfect for fans of:
✔ "Dune" by Frank Herbert
✔ "The Expanse" by James S. A. Corey
✔ "Red Rising" by Pierce Brown
✔ "Foundation" by Isaac Asimov
✔ "Hyperion" by Dan Simmons
✔ "Snow Crash" by Neal Stephenson

👁 If you love deep world-building, morally complex heroes, futuristic tech, and cinematic action with philosophical stakes, this book is for you.

👁 Step into a bold new universe where AI possesses souls, evolution blurs into extinction, science collides with myth, and the line between evolution and revolution is one secret from being crossed.

💥 OFFWORLD – ORIGINS is your gateway to a bold new universe where science, myth, and destiny collide.

📚 Ideal for readers who enjoy:
✔ Science Fiction
✔ Science Fantasy
✔ Intelligent sci-fi thrillers
✔ Romances between space-faring star-crossed lovers
✔ Space operas with ensemble casts
✔ Philosophical futurism and AI ethics
✔ Tech-noir and intergalactic warfare

🛰️ History is written by the victors. The future? By those who dare to change the rules.

🔥 "Humanity’s final frontier isn’t space -- it’s what we become to survive it."

👉 Get your copy of OFFWORLD – Origins today and prepare for an adventure beyond your wildest and most disturbing dreams. 

Stealing Time for Your Dream in 2025 -- Part 5: How to Make "the clock of life" YOUR clock

 


 How to make '"the clock of life" your clock:

 

The stopwatch

Mercury’s contemporary magic wand for taking command of your time is the stopwatch. Here’s how you use this magical wand: 

You know the clock on the wall will keep ticking away relentlessly until the day has gone by. You even know how it keeps ticking at night--why else would you awaken at 5:59 on your digital bedside clock when you’ve set the alarm to go off at 6:00? You know the telephone seems wired to that damned clock, life’s interruptions seem wired to it, the myriad distractions that flesh is heir to seem wired to it--and you recognize that, as a result, you yourself and your dreams have been wired to the Accountant’s clock for way too long. Your world has been defined by that relentless, uncreative clock. You are desperate to realize your Goal Time.

Today you stop the world. You buy a stopwatch. I suggest buying the simplest one you can find, one that allows you to stop the seconds and restart them, without the other countless modes that will drive you crazy unless you’re training race horses. Hang the stopwatch above your computer, your telephone, your work table--above whatever altar serves the god of your dream. Promise yourself that, no matter what happens on that wall clock, you will work on your dream at least one hour before you go to bed tonight. 

Or two hours. Try one first, then expand slowly and naturally in the direction of that Goal Time. Keep it as simple as you can and still make it work for you. Using the stopwatch allows me the illusion of freedom you value highly, but also ensures the constant sense of disciplined progress toward the success you’ve mapped out for yourself.

Nothing is more satisfyingly inevitable than the achievements that time creates from small, stolen increments. One hour a day is thirty hours a month. Thirty hours a month will inevitably produce results, especially if you’ve programmed the three parts of your mind effectively to make the best possible use of that one hour. Imagine how quickly planning his quest will move forward, having assigned five hours a week to the operation. 

If the one-hour-per-day approach doesn't work for your unpredictable schedule, or makes you feel too disciplined, make it a weekly approach. One of my workshop students was having trouble keeping to his contract that he’d put in two writing hours per day. After several give and takes, we came down to the real reason he was having problems: He was leaving his day job in order to be free, and the daily discipline we’d been discussing made him feel enslaved again. I asked him if he’d be comfortable committing to a weekly number of hours, to bringing in his stopwatch to the next session with ten hours on it.

 "And I could do them in whatever configuration I choose?" 

"Absolutely. The whole idea is to find a way of tricking your mind into allowing you to live by your own clock." 

He came in the next week with 10:06 on his stopwatch, and the weeks after with 10:04, 9:56, 10:10. He’d found a way of using the magic wand to give him that necessary illusion of freedom and control combined with the satisfaction of real progress in committing hours to his career transit. 

Don’t forget that only you can call "time out!" 

Anon: It's not over until the fat lady sings. 

Atchity: It's not over, but you can call time out. 

I used to wish I could call time out to give myself time to regroup and figure out the meaning of life. I used to fantasize about building in an extra, dateless, hour-less day each week to give us time off: no appointments, no phone calls, no deadlines. But that is daydreaming, undisciplined Visionary thinking; and we are trapped in an Accountant’s world. 

You can get time out on a regular basis by stealing it. Now that you’ve embraced your career transit and are living the entrepreneurial life, don’t forget to give yourself the benefits that your day job employer was forced to give you. Sometimes we are so excited about doing the things we love on a daily basis that we forget to give ourselves a break from them. “I don't need a vacation. My life is a vacation!” 

Everyone needs vacations. Most people need them because work is exhausting. The entrepreneur needs them because vacations bring perspective and creative insights that are unavailable under the daily pressures of the career transit. "To do great work," Samuel Butler wrote, a person "must be very idle as well as very industrious." The entrepreneur, as both employer and employed, must schedule his vacations, with alternate dates in mind in case "something comes up" that forces a change. You are accomplishing just as much if not more when you "go away for the whistle" and allow your mind to play. 

Vacations for the dreamer are excursions into Visionary time. "Getaway time," like the aboriginal "dreamtime," puts your Mind’s Eye in direct touch with the Visionary’s view of what you've been doing on a daily basis, and what you could be doing more creatively. Traveling away from "Base 1" is always good for the dreamer because it causes a "cross-pollinating" effect among your objectives, goals, and projects. Traveling anywhere away from a project is a kind of vacation, and nearly always a creative advantage; but traveling should be distinguished from true vacations. Going to New York on business, or going home to see your family for a week, are vacations that can bring fresh perspective. But in both cases there are too many things "to do" for the most constructive form of abandonment to occur. A true vacation is being on the island of Maui, where, after a couple of days of readjustment to "heavenly Hana," your "to-do" list consists of two items, and you somehow never quite get around either to doing them or to caring that you didn't. You notice suddenly that the days seem long, immense; that time has become, as Jorge Luis Borges puts it, "like a plaza." Smaller getaways can produce the same effect: mountain hiking; wandering through the museum; deep-sea fishing for a day; just "hanging out" at Grand Central Station or at the Plaza Oak Bar watching the world go by. During a true vacation Mercury can bring you an Olympian perspective, where the patterns of your life and activities become apparent among the tangle of busyness.

It is precisely at such times that "chaos theory" applies itself to the  creative process. Chaos theory posits the all-important impact of tiny random events on the long-range prediction of physical cycles. Weather patterns could be predicted accurately were it not for "the butterfly effect": Somewhere a Monarch butterfly fluttering from flower to flower (an incident too small to measure) minutely disrupts the passage of the breeze, and a thousand miles away a middle-sized storm turns into a tornado. Chaos theory is the despair of Accountants, who spend their lives trying to predict regularity as though chaos didn’t exist. But to the Visionary, chaos is the staff of Mercury. The German philosopher Friedrich Nietzsche, in Thus Spake Zarathustra, his most Visionary work, wrote: "One must still have chaos in one to give birth to a dancing star." 

The dreamer arranges his true vacations to put him in direct touch with chaos, following winding roads to heavenly dream places inaccessible to ordinary travelers. 

 

Tips on time and work management

 

Rate everything that crosses your desk 1, 2, or 3. Then make an agenda for the 1s immediately, and immediately delegate the 2s to someone else. Put the 3s in a drawer designated the "3-drawer," setting aside a few hours once a month to go through it and see what’s still important enough to deal with. You’ll discover that most of the contents of the 3-drawer are even less important than they were. Napoleon supposedly had all his mail dumped before the bags were opened, on the premise that the important news would have reached him already and anything he neglected that should not have been neglected would make itself known. I’m sure that Josephine quickly found an alternative method of communicating with her Emperor.

Postpone procrastination! Anthony Robbins says, "The best way to deal with procrastination is to postpone it." Procrastinate with everything except your dream. To make that happen you need to--

As much as possible, solve each problem as it occurs. Postponing the solution automatically increases the total amount of time needed for it. Opening a letter, then stacking it somewhere, is counterproductive. If you know from the envelope that the letter isn’t important, toss it in the nearest wastebasket and don’t even take it into your den.

 

Selective pruning

Mencius: Men must be decided on what they will not do, and then they are able to act with vigor in what they ought to do.

 Just as the vitality of a tree can work against the tree unless an experienced arbor culturist is engaged to prune the weaker branches, dreams can be dangerous unless you understand their peculiar fertility. As work creates more work, one dream breeds another, usually grander than the one before. Success has ramifications, breeding all kinds of activities; and, unless you recognize that and infuse "regrouping" time into your success agenda, you’ll suddenly find yourself "too busy" to be successful again. 

Well-meaning Friend: You're such an enthusiast. 

Atchity: Why does that sound like an accusation? 

Enthusiasts must protect themselves from their enthusiasms. To accomplish this, I suggest the following. 

Hold a monthly "drop" meeting with yourself. The object of the meeting is to select activities that can be dropped for a month, with a promise to reevaluate their importance at your next meeting. Tabling or discarding the weaker dreams, thereby constantly improves the quality of the dreams you work on. As you become experienced in the creative life, you’ll recognize that one of its strangest characteristics is the necessity of killing the little monsters--that once were bright dreams--nipping at your heels. The smaller dreams must now be pruned away so that the bigger ones can thrive. Of course it’s even better to kill them off in the concept stage; as Albert Camus said: "It's better to resist at the beginning, than at the end."

Don’t feel bad about the discards. Celebrate them. More than sacrifices or disappointments, they are symptoms of your disciplined progress. Just because you can do something, after all, no longer means that you must or should do it. That was the old you, dominated by the Accountant, before your Mind’s Eye opened to engage you in an entrepreneurial career transit.

When evaluating new projects, keep in mind the sign that psychologist Carl Jung had framed above his desk:

 

Yes No Maybe

 

"Maybe" is crossed out as well as “No” to remind us that it’s the "Maybes" that devour our time and dream energies. If the answer to an incoming idea or request isn't definitively "Yes," it’s definitively "No." Never Maybe. Maybe kills countless ambitions and splendid plans. "We are what we pretend to be," says Kurt Vonnegut's narrator in Mother Night, "so we must be careful about what we pretend to be." 

You may also find it useful to go through the following checklist: 

Is this a good idea (or opportunity)? Yes or No.

Is this idea directly connected with my dream? Yes or No. If the answer is No, pass it along to someone else "with no strings attached.”

Does this idea fit into my present agenda? If not, is it such a good idea that I should revise my agenda to accommodate it?

Is the world ready for this idea?

Am I ready to spend years making it real? 

It’s extremely important to consider both internal and external "timing" when it comes to evaluating new ideas and opportunities. Many of us waste time on good ideas whose time has either come and gone, or won’t be coming for too long a time to make its present implementation productive. Of course, thanks to the predictably unpredictable impact of chaos on our lives, we can never be certain about timing. But we can be certain about our gut reaction to the checklist. 

So long as you live, be radiant, and do not grieve at all. Life's span is short and time exacts the final reckoning. 

--Cepitaph of Seikilos for his wife (100 B.C.) 

This series was updated from How to Escape Lifetime Security and Pursue Your Impossible Dream: A Guide to Transforming Your Career (Helios Press) 

 



Publishers Weekly's Book Life Reviews Leo Daughtry's Talmadge Farm


Daughtry debuts with an expansive panorama of the 1950s and ‘60s American South, when tobacco ruled the land and desegregation was in its infancy. Gordon Talmadge, wealthy inheritor of his family’s Talmadge Farm, makes his money off the backs of others—including the two sharecroppers on his land, Will Craddock and Louis Sanders. But tobacco’s star is waning, and Gordon, reluctant to diversify in any way, is entrenched in the past, putting his fortune—and family-owned bank—at risk. When his intoxicated son, Junior, tries to rape Louis’s 15-year-old daughter Ella, it sends shockwaves that change their lives and Talmadge Farm forever.

Daughtry expertly contrasts the experiences of Gordon’s privileged family with that of his sharecroppers, particularly the grim realities that the Sanders endured as a Black family in the midcentury South. Both Will and Louis are up against impossible odds as they try to provide for their families, and when Louis’s son, Jake, is blamed for harming Junior when defending his sister, he’s forced to flee their small town for Philadelphia, desperate to make ends meet so he can study medicine. Meanwhile, Gordon’s tobacco crops can’t keep pace with his spending habits, and he rashly decides to bring on a crew of migrant workers from another state—a choice that results in disaster.

Gordon—and society’s—treatment of the sharecroppers is painful to read, but Daughtry capably evokes harsh historical truths of the era, particularly the generational abuse that wealthy landowners inflicted on the descendents of enslaved peoples. The reverberations of that shake through the Sanders’s family as the story builds to some dark consequences, though some of the most reliable women, Ella and Mary Grace, overcome obstacles as they strive toward happiness. Gordon eventually faces some justice, though he never truly makes amends for his harmful behaviors. Change, of course, comes in the end, but the cost for all involved is steep.

Story Merchant E-Book Deal - Free this Week Conversations with Dolphins

AVAILABLE ON AMAZON

One of humankind's oldest questions is, are we the only sentient beings in the Universe? Recent discoveries of exoplanets—worlds that may support life in other solar systems—have refueled the debate; but are we sure that we are the only sentient species on our home planet? If we knew for sure that dolphins have language and regularly exchange information would it not forever change our view of animals, in particular our fellow mammals? All those with an enquiring mind will enjoy reading this accessible and enjoyable account concerning recent groundbreaking research conducted by Jack Kassewitz and John Stuart Reid. As this booklet shows, humankind has taken a giant leap forward in answering this important question.

Conversations with Dolphins

Conversations with Dolphins is a unique true story that takes the reader into the fascinating world of acoustic-physics researcher John Stuart Reid, a leading authority on cymatics, the science of visible sound. Reid takes us on a stimulating journey in which we follow the very thoughts that led him to develop the CymaScope instrument and to image the sonic pictures that he and Floridian dolphin researcher, Jack Kassewitz, believe constitutes our first glimpse of the dolphin sono-visual language. Kassewitz and Reid have begun to explore the extent of the dolphin language and to answer the question, can dolphins create bio-sonar pictures from their imagination, without relying on imaging objects? Their important research could quite literally lead to humankind being able to hold conversations with dolphins.


Quotes from Conversations with Dolphins

“What if the dolphin sounds are not words to be listened to but pictures to be seen?”
--Jack Kassewitz, CEO of SpeakDolphin.com

“After many failed attempts, suddenly, there it was—the flowerpot—rather fuzzy but distinct enough to make out its shape. I could even faintly see the hand that had held the pot in the water. I rushed into the adjacent office to share my excitement with my wife.”--John Stuart Reid, Director of Sonic Age Ltd

“I find the dolphin mechanism for sonic imaging proposed by Jack Kassewitz and John Stuart Reid plausible from a scientific standpoint. I have long maintained that dolphins have a sono-visual language so I am naturally gratified that this latest research has produced a rational explanation and experimental data to verify my conjectures.--Dr Horace Dobbs, Director of International Dolphin Watch

“Kassewitz and Reid have contributed a novel model for dolphins' sonic perception, which almost certainly evolved out of the creature's need to perceive its underwater world when vision was inhibited.”--David M. Cole, Founder of the AquaThought Foundation

Guest Post: Why I Wrote This Book by Jerry Amernic, Author of The Last Witness


The year is 2039, and Jack Fisher is the last living survivor of the Holocaust. Set in a world that is abysmally complacent about events of the last century, Jack is a 100-year-old man whose worst memories took place before he was 5. His story hearkens back to the Jewish ghetto of his birth and to Auschwitz where, as a little boy, he had to fend for himself to survive after losing his family. Jack becomes the central figure in a missing-person investigation when his granddaughter suddenly disappears. While assisting police, he finds himself in danger and must reach into the darkest corners of his memory to come out alive.





What inspired this book?
Guest post by Jerry Amernic

The Last Witness is a novel that has been germinating in my mind for a long time. It’s about the last living survivor of the Holocaust in the year 2039, with a protagonist who is 100 years old and still in possession of his faculties. But the near-future world I devise here is abysmally ignorant and even more complacent about events of the past century. Let’s make it clear right off the bat; this is not sci-fi – not even close, I don’t write sci-fi – but rather a commentary on what is already happening in the world today, albeit in the guise of a thriller that packs a lot of history between the covers.

My central character, Jack Fisher, is a man whose worst memories took place before he was 5. After the sudden disappearance of his granddaughter, actually his great-granddaughter who is a schoolteacher, he becomes the central figure in a missing-person investigation that winds up involving two countries – the United States and Canada. A sympathetic NYPD detective takes on the case and, in the process, befriends him. While all this is going on, there is a mysterious string of murders of old people taking place around the world.

It  isn’t long before Jack finds himself in danger and must reach into the darkest corners of his memory to come out alive. Indeed, some of those memories have been repressed through years, decades, of torment and suffering.

Jack’s story hearkens back to the Jewish ghetto of his birth as a hidden child, and then to the death camp at Auschwitz where he had to fend for himself after losing his family. These are all captured as flashbacks in my novel.

While there have been many books about the Holocaust, including works of fiction, I don’t believe anyone has taken a futuristic slant quite like this. But the seeds for despair about the level of knowledge out there are all around us right now.

In researching this book, I met with real-life child survivors, including some who were liberated by the Red Army in 1945; one of these survivors was as young as three and his memories are very sketchy, but the others were older at war’s end, and the things they remember are etched in stone. I had former child survivors tell me that after coming to North America they were put into classrooms and told by their teachers not to talk about their experiences. One woman who now goes into schools doing talks about the Holocaust had a particularly gut-wrenching story; she was visiting a school only to have a number of Muslim students turn their backs on her when she spoke; they had been told at home that the Holocaust never happened.

I also met with eminent British historian Sir Martin Gilbert who has written extensively about the Holocaust and who is the official biographer of Winston Churchill; one of his suggestions really piqued my imagination and found its way into my novel.

So why did I write The Last Witness? Well, I have been seized by the idea that one day in the not-too-distant future, there will be one last remaining survivor of the Holocaust. If this individual was a child survivor who had been born in 1939, in the year 2039 he would be 100 years old. And that is my Jack. What will the world be like in 2039?

Aye, there’s the rub, as the Bard would say.

Consider this. A Gallup Poll done just a few years ago found that knowledge of the Holocaust was pathetically feeble in the United States. For example, only 46 per cent of Americans polled could say how many Jews were killed, and only 44 per cent could properly identify Auschwitz, Dachau and Treblinka as Nazi death camps. It is a sad commentary when less than half of Americans can answer these questions. In another poll some 70 per cent of Americans said they knew what the Holocaust was, but the sorry flipside of that is that 30 per cent apparently had no idea.

Yet another poll, this in the United Kingdom, found that 28 per cent of people aged 18 to 29 claimed to not know if the Holocaust ever happened at all. Then there was the survey done five years ago in Israel which said that 40 per cent of Israeli Arabs do not believe the Holocaust took place.

In my own country, Canada, knowledge is also on the wane, especially in the province of Quebec. Where I live in Ontario, the school system is such that any young person can graduate from a public high school with but a single credit in history during that whole time, and it doesn’t even have to be North American or European history.

This means we have spawned an entire generation that is abysmally ignorant of history, and the future does not hold good prospects.

The McCormick Tribune Freedom Museum in Chicago was America’s first museum dedicated to the freedoms guaranteed by the First Amendment. It opened in 2006, but closed its doors only three years later and took its displays on the road. In 2008 the museum did a survey. Are you ready for this? Close your eyes. According to the study, while more than half of Americans could name at least two members of TV’s fictional cartoon family The Simpsons (22 per cent could name all five of them), only one in four Americans could identify more than one of the five freedoms guaranteed by the First Amendment.

So consider The Last Witness not so much a commentary on what the near future will look like, but a warning about profound ignorance and complacency just a quarter-century down the road. For what it’s worth, the very first person to post a review on Amazon said she read the entire book through the night, that she could feel the pain of the memories of the witness, and even cried during some parts. If there is one thing an author wants from a reader, it’s an emotional gut reaction.

Stay tuned for my next historical thriller. Qumran. That is the place in the Holy Land where the Dead Sea Scrolls were discovered back in 1947. But the discovery in this story has the potential to make that one pale by comparison.



Jerry Amernic is a Toronto author of fiction and non-fiction books. In doing his research for The Last Witness, he interviewed such people as noted Holocaust historian Sir Martin Gilbert, and met with real-life survivors who were children when they were liberated in 1945.


Reposted from Quiet Fury Books Blog


Celtic Lady Interviews Story Merchant Author Leo Daughtry

 “Talmadge Farm” is a sweeping drama that follows three unforgettable families navigating the changing culture of North Carolina at a pivotal moment in history. A love letter to the American South, the novel is a story of resilience, hope, and family – both lost and found.



What inspired you to write “Talmadge Farm?”


I lived through changing times, particularly the 1950s when there was nearly complete segregation in the South, especially in rural areas. Sharecropping was common, and women did not divorce in those times because it was considered demeaning, a failure. Then in the 1960s, everything began to change. Sharecropping disappeared, birth control entered the picture, and women could live life with more freedom and less dependence on men.


Can you tell us more about your family history and its connection to North Carolina and tobacco? 


How did this environment influence your writing? 

Beyond the direct associations with tobacco and North Carolina, are there more subtle aspects of your upbringing and family history that influenced your writing?


Tobacco was king in North Carolina. People practically worshiped it. Where I grew up, it put food on the table. Cotton was more up and down, but tobacco provided financial stability, not just for farmers but for the whole community. My family grew tobacco, sold fertilizer and seed, and managed a tobacco auction. It was our whole world. 


You have had a successful career as a lawyer and an Air Force Captain before that. What prompted you to pursue writing fiction?


I always had the idea for this particular story in my head. The 1950s and 1960s were two decades that changed the world, and a farm with sharecroppers is a bit of a pressure cooker environment. You have the farmowner’s family – in many cases people of wealth and entitlement – living just down the driveway from the sharecropping families. The sharecroppers were poor and had limited options, so they felt stuck living on a farm that didn’t belong to them doing backbreaking work with no way out. It’s a situation that lends itself to drama: families with major differences in class/race/socioeconomic status living in such close proximity to one another.


How has the landscape of tobacco farming changed, and how did you incorporate those changes into the plot of “Talmadge Farm?”


Probably the biggest change was the shift from sharecropping to migrant workers. Today, tobacco farmers are large corporations that use migrant workers as laborers. But in the 1950s, farming relied almost completely on sharecropping, which was a hard life. Tobacco farming is physically demanding work, and sharecroppers needed the help of all family members to complete the various steps – planting, seeding, suckering, priming, worming, and cropping – of harvesting the crop. 


Sharecroppers at one farm would help sharecroppers at the neighboring farm because they did not have the resources to hire extra people. In the 1950s, sharecroppers were unable to get credit anywhere but at the general store and maybe the feed store. They truly lived hand to mouth all the time, only able to pay their debts after the tobacco auction in the fall. Hence the phrase “sold my soul to the company store.” Sharecroppers often turned to moonshining as a way to make extra money.


As I describe in the novel, sharecropping began to disappear in the 1960s as children of sharecroppers started taking advantage of new opportunities that the changing society offered. Migrant workers took over the labor of farming. In addition to labor changes, new machinery improved the industry. N.C. State was instrumental in developing advances in the farming world. Legislation changed and farmers were allowed to have acreage allotments outside of the land they owned. I touch on all of these changes in the novel.


Are any of the characters in your book based on real people?


Not really. The closest characters to real people in my life are the characters of Jake and Bobby Lee. Jake is a Black teenager who wants to escape farm life and ends up running away to Philadelphia to become a success. Bobby Lee is a young Black soldier stationed at Fort Bragg. On the farm where I grew up, there was a Black sharecropping family with four sons, the youngest of whom was my age. We were very good friends.


All of the boys were bright and athletic, could fix anything, yet were limited in their opportunities. They didn’t have a school to go to or a job to look forward to. Their only options were to stay on the farm or join the army. The character of Gordon, while not based on any one person, reminds me of a lot of men I knew who did not treat women well, who were racist, who enjoyed the status quo and were resistant to anything that threatened their way of life.


In addition to the changing tobacco farming methodologies, the 1950s ushered in a period of profound social change, marked notably by the introduction of credit cards. How did these outside factors impact farming, and in what ways did they inform the development of the plot in “Talmadge Farm?”


In the novel, Gordon is the president of the local bank, yet he resists the advances in the banking industry, including credit cards and car loans and the incursion of national banks into rural communities. Gordon’s father, who founded the bank, was a brilliant man adept at navigating the bank through changing times, but Gordon simply doesn’t have the smarts to see what’s coming, and no one can get through to him. He’d rather play a round of golf than look at the balance sheet.  



Leo Daughtry is a life-long resident of North Carolina. He grew up among the tobacco fields of Sampson County which served as inspiration for his debut novel, “Talmadge Farm.” After graduating from Wake Forest University and its School of Law, he established a private law practice in Smithfield, N.C. 


He was a member of the N.C. House and Senate for 28 years, including serving as House Majority Leader and House Minority Leader. When not practicing law, Leo enjoys spending time in Atlantic Beach with his wife and daughters. 


Praise for “Talmadge Farm”


“Set in North Carolina in the 1950s and 60s, Leo Daughtry’s story gives readers a cast of flawed characters that elicit sympathy, anger, love and hate. 

The Talmadges, landed gentry, and their two sharecropper families try to adjust to the changing political, economic and social landscape of the decade. 

Gordon Talmadge commits one mistake after another, ultimately destroying the legacy handed to him, as his loyal wife Claire stands by his side while the sharecropper families – one black, one white – are ultimately driven off the farm for better and for worse. A page turner.” 

— George Kolber, author of Thrown Upon the World, and writer/producer of Miranda’s Victim


“In this stirring novel, Leo Daughtry creates a big, complicated portrait of family, place, race, class, and greed. Set in North Carolina, Talmadge Farm tells the story of three intertwined families. Daughtry delves deep into the heart of his characters. You’ll almost forget that you don’t know them personally; this story feels that real.” 


 Judy Goldman, author of Child: A Memoir and Together: A Memoir of a Marriage and a Medical Mishap


“Talmadge Farm is a classic. Through the lives of a farm owner’s family and their sharecropping tenants, Leo Daughtry weaves a story about the emerging South. This is a story of triumph and tragedy, of good and evil, and finally reconciliation. A true morality play.” 

— Gene Hoots, former tobacco executive and author of Going Down Tobacco Road



Via Celtic Lady Reviews

Story Merchant E-Book Deal Free this Week The Last Witness by Jerry Amernic


The year is 2039, and Jack Fisher is the last living survivor of the Holocaust. t in a world that is abysmally complacent about events of the last century, Jack is a 100-year-old man whose worst memories took place before he was 5. His story hearkens back to the Jewish ghetto of his birth and to Auschwitz where, as a little boy, he had to fend for himself to survive after losing his family. Jack becomes the central figure in a missing-person investigation when his granddaughter suddenly disappears. While assisting police, he finds himself in danger and must reach into the darkest corners of his memory to come out alive.



KUDOS TO NICOLE CONN'S WINNING DESCENDING THIRDS!




In the high-stakes world of classical music, Alexandra von Triessen, a gifted but insecure pianist, navigates the cutthroat International Ketterling Piano Competition. Dazzled by the charming Sebastian D'Antonio, she finds herself drawn into a web of intrigue surrounding his enigmatic and estranged brother, Conrad. Just as Alexandra's star begins to rise, a shocking discovery sends her world crashing down, exposing secrets and lies that threaten to destroy everything she's worked for.

Descending Thirds is a gripping story of ambition, betrayal, and the blurred lines between artistry and integrity. This page-turner explores the sacrifices we make in pursuit of our dreams and the devastating consequences of hidden truths. With two shocking twists that will leave you reeling, this unforgettable novel will resonate with anyone who has ever dared to reach for greatness.



From Page to Screen: The Cloud Hits Hollywood | Robert Rivenbark Interview


Robert Rivenbark discusses his novel The Cloud, themes of AI and surveillance, and a Hollywood film adaptation.


In this video, host Jorah Kai sits down with Robert Rivenbark, author of the sci-fi thriller The Cloud, to talk about its journey from novel to screen. 

Robert's debut novel The Cloud is not only an award-winning story but is also in development as a feature film. In this insightful interview, we cover: Inspiration behind The Cloud – How a big “what if?” and real-world tech trends sparked this thrilling story.

Creative writing process – Robert’s writing routine, from daily word counts to turning first drafts into polished prose. Hollywood adaptation journey: How The Cloud caught Hollywood’s attention and the role of legendary literary manager Ken Atchity in its film development. 

Transmedia storytelling – Expanding the story universe beyond the book, and what it means to take a tale from page to screen (and beyond). 

Modern writing landscape – Insights on being an author today, from working with a literary agent to navigating publishing in the digital age. 

Whether you’re an aspiring writer, a passionate book lover, or a fan of film adaptations, this conversation is packed with tips, inspiration, and behind-the-scenes stories you won’t want to miss.



Via Jorah Kai, Existential Detective

@jorahkai


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